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Titlebook: English Historical Drama, 1500-1660; Forms Outside the Ca Teresa Grant (Associate Professor, Director of Gra Book 2008 Palgrave Macmillan,

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發(fā)表于 2025-3-21 16:12:33 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱English Historical Drama, 1500-1660
副標(biāo)題Forms Outside the Ca
編輯Teresa Grant (Associate Professor, Director of Gra
視頻videohttp://file.papertrans.cn/312/311140/311140.mp4
叢書(shū)名稱Early Modern Literature in History
圖書(shū)封面Titlebook: English Historical Drama, 1500-1660; Forms Outside the Ca Teresa Grant (Associate Professor, Director of Gra Book 2008 Palgrave Macmillan,
描述Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. An introduction provides a survey of current criticism, exploring both early modern and contemporary definitions of the ‘history play‘. Individual essays in chronological order discuss a wide variety of possible sources for historical drama, ranging from oral traditions to chronicles. They also explore genres outside the canon which think of ‘history‘ in different ways, such as shows, moralities and closet drama.
出版日期Book 2008
關(guān)鍵詞drama; reformation; Seneca
版次1
doihttps://doi.org/10.1057/9780230593268
isbn_softcover978-1-349-52503-4
isbn_ebook978-0-230-59326-8Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2008
The information of publication is updating

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Seneca and the Early Elizabethan History Play,Norton and Thomas Sackville’s . (1561/2) and Thomas Legge’s Latin . (1579) are both Senecan in style and conventions, in their narratives of high-born and ambitious characters brought low. Both adapt historical subjects to the forms and conventions of Senecan tragedy, owing to their common origin in
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News Drama: the Tragic Subject of Charles I,plays rehearsed Charles’s fall as . spectacle. English compositions on the subject of murdered majesty were not granted a legitimate forum on stage, given the closure of the theatres between 1642 and 1660, but they still appeared in print, as the anonymous . (1649) and . (1660) attest.. The shift fr
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Early Modern Literature in Historyhttp://image.papertrans.cn/e/image/311140.jpg
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https://doi.org/10.1057/9780230593268drama; reformation; Seneca
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