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Titlebook: English Fiction and Drama of the Great War, 1918–39; John Onions Book 1990 John Onions 1990 drama.English.fiction

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發(fā)表于 2025-3-21 18:31:56 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱English Fiction and Drama of the Great War, 1918–39
編輯John Onions
視頻videohttp://file.papertrans.cn/312/311135/311135.mp4
圖書封面Titlebook: English Fiction and Drama of the Great War, 1918–39;  John Onions Book 1990 John Onions 1990 drama.English.fiction
出版日期Book 1990
關(guān)鍵詞drama; English; fiction
版次1
doihttps://doi.org/10.1007/978-1-349-20620-9
isbn_softcover978-1-349-20622-3
isbn_ebook978-1-349-20620-9
copyrightJohn Onions 1990
The information of publication is updating

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The Soldier-Writer as Hero,but it also established a particular role for the soldier-writer. There could be no Rupert Brooke in 1940. Another tradition over the previous twenty years had displaced that of the celebratory and conformist war-writer. The soldier-writer was now both a heroic and an anti-heroic figure; the unambig
地板
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The Minor Works,arvest of war books, however, proved to be a large one of generally poor quality. Its weaknesses as realistic literature, which is what most of it aimed to be, are obvious enough: sensationalism, formlessness, poor characterisation and bad writing. The extent of these faults naturally varied, but on
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Mottram and Tomlinson: Historians,s. Both saw a great deal of the war: Tomlinson as a journalist; Mottram as an officer, serving first of all in the front line and then attached to the General Staff.. And both tried to create out of their experiences a necessarily grand piece of literature by which to comprehend the personal experie
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