Titlebook: Empire in British Girls‘ Literature and Culture; Imperial Girls, 1880 Michelle J. Smith Book 2011 Palgrave Macmillan, a division of Macmill

走路左晃右晃

Ermittlung des Personalbedarfs,se include enduringly well-known works such as H. Rider Haggard’s . (1885) and . (1887), the early to mid-Victorian boys’ stories of Frederick Marryat, W.H.G. Kingston, and R.M. Ballantyne, and the late Victorian G.A. Henty’s tales (his more than 100 adventure stories sold in excess of 25 million co

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https://doi.org/10.1007/978-3-658-40563-2istorical places and imaginary realms, including a tropical island inhabited by ‘primitives’. Though Nesbit’s stories were not exclusively intended for girl readers, their girl protagonists nevertheless support the imperial project through civilising ‘native’ inhabitants and mothering their brothers

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https://doi.org/10.1007/978-3-663-08848-6law’. Our Girl Guide ‘hut’, which had very little in common architecturally with an actual hut, what with its brick veneer, was watched over by a framed portrait of Queen Elizabeth II. The print had presumably been a fixture, along with the battered Brownie ‘toadstool’, since Guiding had begun in my

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Qualitative Personalbedarfsplanung,. This book interrogates the ‘obvious’ and fixates on the ‘centre’ in its address of what Hunt and Sands describe as the ‘invisibility’ of the colonial and postcolonial in British children’s texts. It examines how girls were shaped by, and were imagined as shaping, the British Empire in a range of p

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惰性氣體

自負的人

https://doi.org/10.1007/978-3-663-08848-6t coins that my Brown Owl informed me I should always keep on hand in case I should need to make a phone call, was obscure to me. How and why would I be ‘serving’ the Queen? What kind of ‘service’ could an Australian girl offer to a monarch?

開始從未

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