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Titlebook: Empathy Pathways; A View from Music Th Andeline dos Santos Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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41#
發(fā)表于 2025-3-28 16:11:14 | 只看該作者
42#
發(fā)表于 2025-3-28 20:56:05 | 只看該作者
43#
發(fā)表于 2025-3-29 02:19:28 | 只看該作者
Predicted, Momentary and Session RPEonsidering empathy as inclusively involving all forms of perspective-taking), the chapter also investigates how emotions are understood. An argument is provided for the value of a robust examination of empathy in the music therapy field specifically. The chapter concludes with a summary of the four empathy pathways.
44#
發(fā)表于 2025-3-29 05:41:20 | 只看該作者
45#
發(fā)表于 2025-3-29 11:15:01 | 只看該作者
46#
發(fā)表于 2025-3-29 13:26:21 | 只看該作者
An Introduction to Empathies,onsidering empathy as inclusively involving all forms of perspective-taking), the chapter also investigates how emotions are understood. An argument is provided for the value of a robust examination of empathy in the music therapy field specifically. The chapter concludes with a summary of the four empathy pathways.
47#
發(fā)表于 2025-3-29 15:36:39 | 只看該作者
A Stance of Receptivitystarting point, followed by an examination of the motivation, ability, and capacity to empathise. This chapter also highlights the importance of paying attention, as well as exercising a non-judgemental attitude, and having the courage to engage in playful risk-taking, as one may not know where the process of empathy will lead.
48#
發(fā)表于 2025-3-29 20:29:44 | 只看該作者
49#
發(fā)表于 2025-3-30 03:04:41 | 只看該作者
Awareness of Translational Processes interpreting these as particular truths, situated within the given moment and a specific context. The client also actively receives and interprets our emotional communicative expressions as part of an ongoing translational and improvisational encounter.
50#
發(fā)表于 2025-3-30 04:54:16 | 只看該作者
Responding Through Accompanimentl role. We responsively encounter each other’s emotional expressions, collaboratively engaging in richly ambiguous communicative modalities such as musicking while recognising that social, political, and cultural dimensions impact how we express emotions and interpret each other’s emotions in incomplete ways.
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