Titlebook: Emotions in Contemporary TV Series; Alberto N. García Book 2016 Palgrave Macmillan, a division of Macmillan Publishers Limited 2016 Televi

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行乞

libertine

Decent Peoples and the Real World,rorist attacks of 9/11 (Edgerton and Edgerton 92). As a consequence of that tragedy, the whole country found itself immersed in a genuine cultural trauma, understood as the phenomenon that takes place ‘when members of a collectivity feel they have been subjected to a horrendous event that leaves ind

discord

966–69), the movie . (2009), and . (ABC, 1978–79; Sci-fi, 2003–09) have mirrored the human condition and reflected changes in societal knowledge about emotions and rational behaviour. . and . (hereafter .) use distinctions among emotional and dispassionate behaviour as a distinguishing feature that

茁壯成長

— we can find the clearest examples of the changes in lifestyles, in codes of conduct and in the models of masculinity and femininity, as well as in the emotional regimes and its failures. These changes draw an unsurpassable horizon for the current generation.

使熄滅

A Revolution in Urban Lifestyle: ,’s Narrative Revisited as a Social Lab— we can find the clearest examples of the changes in lifestyles, in codes of conduct and in the models of masculinity and femininity, as well as in the emotional regimes and its failures. These changes draw an unsurpassable horizon for the current generation.

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獨白

Endemic

The Emergence of ‘Affect’ in Contemporary TV Fictions Emotions in Contemporary TV Series’.. As Ana Marta González remarks, ‘media culture has become a powerful agent of emotional socialization, fostering a new kind of self whose relationship with real life seems to be mediated by narratives and fictional characters to a greater degree’ (7). The aim he

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