Titlebook: Emotions and Gender in Byzantine Culture; Stavroula Constantinou,Mati Meyer Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

MURAL

Immunology of Organ Transplantationhe perspective of gendered emotions. She argues that their female gender identity is destabilised by a series of visual and rhetoric devices that they share with male martyrs. Among these devices the most important is dispassion (.) or the imperviousness to suffering that all martyrs apparently expr

灰姑娘

Future Directions in Transplantation,nate love (.). Based on a range of texts that draw on ancient Greek theories of emotivity, the authors offer a three-partite analytical model: desire, found mainly in the novel, which is characterized as an external force that imposes itself upon individuals; affectionate love, which dominates disco

青石板

https://doi.org/10.1007/978-3-642-95839-7ept in the Victoria and Albert Museum in London. Rather than seeing it as a luxury object, she argues that it offers testimony to the enduring relevance of pagan gods and figures in Byzantine amatory art and literature, both in the expression of erotic feelings and in their gendering. Their potency

troponins

Aya Miyagawa-Hayashino,Hironori Hagaand fears of emasculation in a presumed, otherwise unknown male readership, resulting in a mixed emotional response—pleasure coupled with shame and fear. This emotionally distressing experience, in its turn, probably entailed a feeling of anger, which led to a gendered ‘barbarism’—erasure, rubbing,

ferment

變量

人類學(xué)家

New Approaches to Byzantine History and Culturehttp://image.papertrans.cn/e/image/308745.jpg

fiscal

Towards an Approach to Gendered Emotions in Byzantine Culture: An Introductionticularly in Byzantine studies, this introductory chapter grounds the conceptual strands and methodologies informing the volume and addresses its rationale, as well as the main lines of its structure. Finally, it outlines the principal problematics, themes, and materials that inform each of the volume’s chapters.

inspired

輕浮女

Empresses in Byzantine Society: Justifiably Angry or Simply Angry? empress consort Theodora (527–548). Reflections on how their anger—justifiable or not—was constructed and perceived, the stories of these imperial women best demonstrate the two contradictory elements that confronted Byzantine society: their status as women and their position as rulers.