找回密碼
 To register

QQ登錄

只需一步,快速開(kāi)始

掃一掃,訪問(wèn)微社區(qū)

打印 上一主題 下一主題

Titlebook: Emotional Ethics of The Hunger Games; Tarja Laine Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp

[復(fù)制鏈接]
查看: 22339|回復(fù): 38
樓主
發(fā)表于 2025-3-21 18:59:50 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Emotional Ethics of The Hunger Games
編輯Tarja Laine
視頻videohttp://file.papertrans.cn/309/308681/308681.mp4
概述Proposes that in The Hunger Games series emotions function as sources for ethical knowledge both within and beyond the film?s.Explores cinematic ethics with a strong emphasis on the film aesthetics th
叢書(shū)名稱Palgrave Film Studies and Philosophy
圖書(shū)封面Titlebook: Emotional Ethics of The Hunger Games;  Tarja Laine Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp
描述.Emotional Ethics of The Hunger Games.?expands the ‘ethical turn’ in Film Studies by analysing emotions as a source of ethical knowledge in?.The Hunger Games.?films. It argues that emotions,?incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral?standards. As such they cultivate ethical?attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions?in a way that highlights their ethical?significance, running the gamut from fear?through guilt?and shame, to love, anger?and contempt. The central claim of the book is that these emotions?are symptomatic of some moral?conflict, which renders?.The Hunger Games.?franchise a meaningful commentary on the affective practice of cinematic ethics.?.‘’The Hunger Games.?movies have become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses?.The Hunger Games.?as key texts for understanding our world, demonstrating that ethics do not origin
出版日期Book 2021
關(guān)鍵詞The Hunger Games; Cinematic ethics; Emotions; Film aesthetics; Film-philosophy
版次1
doihttps://doi.org/10.1007/978-3-030-67334-5
isbn_softcover978-3-030-67336-9
isbn_ebook978-3-030-67334-5Series ISSN 2946-5435 Series E-ISSN 2946-5443
issn_series 2946-5435
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

書(shū)目名稱Emotional Ethics of The Hunger Games影響因子(影響力)




書(shū)目名稱Emotional Ethics of The Hunger Games影響因子(影響力)學(xué)科排名




書(shū)目名稱Emotional Ethics of The Hunger Games網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱Emotional Ethics of The Hunger Games網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱Emotional Ethics of The Hunger Games被引頻次




書(shū)目名稱Emotional Ethics of The Hunger Games被引頻次學(xué)科排名




書(shū)目名稱Emotional Ethics of The Hunger Games年度引用




書(shū)目名稱Emotional Ethics of The Hunger Games年度引用學(xué)科排名




書(shū)目名稱Emotional Ethics of The Hunger Games讀者反饋




書(shū)目名稱Emotional Ethics of The Hunger Games讀者反饋學(xué)科排名




單選投票, 共有 0 人參與投票
 

0票 0%

Perfect with Aesthetics

 

0票 0%

Better Implies Difficulty

 

0票 0%

Good and Satisfactory

 

0票 0%

Adverse Performance

 

0票 0%

Disdainful Garbage

您所在的用戶組沒(méi)有投票權(quán)限
沙發(fā)
發(fā)表于 2025-3-21 23:07:30 | 只看該作者
Surgical Management of Intersex in Childhoodtionships. But there is also a notion of authentic love as a form of resistance that is not merely reactive to power relations, but a positive action in its own terms, which renders the romantic story in . trilogy into a meaningful and complex reflection on the nature of love.
板凳
發(fā)表于 2025-3-22 03:47:00 | 只看該作者
Ming-Han Tsai,Yhu-Chering Huangl relevance of . trilogy is based on the incorporation of emotional ethics in its aesthetic organization, which elevates it from mere young adult fiction into a triumphant celebration of cinema’s affective power.
地板
發(fā)表于 2025-3-22 08:17:05 | 只看該作者
5#
發(fā)表于 2025-3-22 08:53:27 | 只看該作者
Conclusion,l relevance of . trilogy is based on the incorporation of emotional ethics in its aesthetic organization, which elevates it from mere young adult fiction into a triumphant celebration of cinema’s affective power.
6#
發(fā)表于 2025-3-22 13:11:51 | 只看該作者
7#
發(fā)表于 2025-3-22 19:16:14 | 只看該作者
8#
發(fā)表于 2025-3-22 23:08:06 | 只看該作者
9#
發(fā)表于 2025-3-23 05:01:52 | 只看該作者
https://doi.org/10.1007/978-3-322-82661-9ns are incorporated in the thematic and aesthetic organization of these films, reflecting a crisis in moral standards, while cultivating ethical attitudes toward such phenomena as totalitarianism and the society of spectacle. The focus of the argument will be on cinematic aesthetics expressing emoti
10#
發(fā)表于 2025-3-23 06:51:11 | 只看該作者
Yun-Bo Zhao,Guo-Ping Liu,Yu Kang,Li Yuvideogame-like aesthetics that capture the subjective experience of fear in situations that are driven by survival motives. Second, the trilogy demonstrates a development from self-directed fear to other-directed fear at which point the ethical dimension of this ‘basic’ emotion starts to emerge. The
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛(ài)論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國(guó)際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-7 21:04
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
巴楚县| 常德市| 平远县| 铁岭市| 沈丘县| 鸡西市| 呼和浩特市| 全椒县| 五常市| 敦煌市| 建瓯市| 民丰县| 友谊县| 沙洋县| 张掖市| 集贤县| 高安市| 仲巴县| 玉环县| 晋宁县| 高阳县| 临泉县| 新昌县| 宁波市| 永州市| 日土县| 武宣县| 平远县| 金华市| 连江县| 多伦县| 额尔古纳市| 疏勒县| 镇巴县| 贵港市| 和龙市| 香河县| 会东县| 夏邑县| 阜城县| 蕲春县|