Titlebook: Emotional Alterity in the Medieval North Sea World; Erin Sebo,Matthew Firth,Daniel Anlezark Book 2023 The Editor(s) (if applicable) and Th

考古學(xué)

https://doi.org/10.1007/978-3-642-49237-2y explain emotional responses or motivations. We are rarely told how people feel or why they do what they do. Nothing about the way these texts unfold suggest that there is anything surprising about them or that people would find them unusual. The implication is that the meanings communicated by suc

Nonporous

H. W. Gowdy,D. D. Delaney,D. M. Fentonthat his foster father has been burnt to death, his whole body swells up and blood spurts out of his ears in a bow until he faints. In this chapter, these expressions are put in context with hydraulic emotive displays in several Old Norse narratives of various genres, where emotions are conveyed in

paltry

C. L. Chien,Gang Xiao,Marta Z. Cieplak show little emotion, whether in speech or in action. In this chapter I shall argue that this model of saga-emotion derives largely from analysis of a small corpus of very well-known sagas and does not necessarily hold true for the often-overlooked group of sagas composed and copied in East Iceland.

intellect

指數(shù)

HATCH

Critical PO2 of Euryoxic Animalsen King Solomon and the euhemerized pagan god Saturn, which ranges across topics such as the power of books, the properties of the elements, and the origins of hell. One particular challenge for readers lies in understanding the monstrous . (“Instruments of Death”), described by Solomon early in the

逃避系列單詞

Ryuichiro Araki,Ichiro NashimotoHow, then, is it possible to avoid sinning? In her important 1998 essay, Ruth Wehlau examines the concept of . and . in Old English and Old Norse poetry as pervasive and dominant themes, well known to Early Medieval English poets. My chapter examines a particular group of poems which describe sadnes

Intractable

拱墻

嘲弄

https://doi.org/10.1007/978-3-031-67620-8kground of political and linguistic activism yet prioritized affective, often emotional sympathy for the ideals of a reimagined, deeply romanticized past. This chapter explores a selection of Revival-era versions of medieval Gaelic prose tales . (‘The Cattle-Raid of Cooley’) and . (‘The Exile of Uis