Titlebook: Emotion and the Contemporary Museum; Development of a Geo Candice P. Boyd,Rachel Hughes Book 2020 The Editor(s) (if applicable) and The Aut

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https://doi.org/10.1007/978-3-030-73299-8e in the design and staging of exhibitions. The chapter concludes provocatively with a call for a new interdisciplinary conversation between museology/museum studies and cultural geography to assist in ‘bridging the gap’ between curating with emotion and evaluating emotion in the contemporary museum

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Stephen White MD,Albert Pearsall MDsearch project that used a drawing method to better understand first-time visitor experiences of Rome’s . (Museum of the Mind). Their analysis of more than sixty drawings produced across two workshops garners insights about the museum’s novel and technologically-sophisticated exhibits as well as ref

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Rotating at Your Home Institution,es to the . exhibition at Melbourne Museum. After their own extensive internal evaluation of the visitor experience, staff at Melbourne Museum expressed interest in our drawing methodology. The study was an opportunity to extend the methods used at the . (Chapter .) to include a walking interview th

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Candice P. Boyd,Rachel HughesOffers a groundbreaking new method of evaluating the emotional impact of museum exhibits on their visitors.Developed over several years of working closely with two international museums – The Museo La

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Sustainability and the Spiritual Work Ethic,lued as an end in itself; a means of generating further economic growth rather than a source of pleasure or goodness. This religious attitude, based on the idea of duty in pursuing a calling or vocation, entailed the pursuit of asceticism or self-denial and the rejection of material pleasure as a means of securing salvation in the afterlife.