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Titlebook: Austen: Emma; Norman Page Textbook 1985Latest edition Macmillan Publishers Limited 1985 Britain.eighteenth century.Emma.history of literat

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樓主
發(fā)表于 2025-3-21 19:16:54 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Austen: Emma
編輯Norman Page
視頻videohttp://file.papertrans.cn/309/308613/308613.mp4
叢書名稱Palgrave Master Guides
圖書封面Titlebook: Austen: Emma;  Norman Page Textbook 1985Latest edition Macmillan Publishers Limited 1985 Britain.eighteenth century.Emma.history of literat
出版日期Textbook 1985Latest edition
關(guān)鍵詞Britain; eighteenth century; Emma; history of literature; Jane Austen; literature; nineteenth century
版次1
doihttps://doi.org/10.1007/978-1-349-07623-9
copyrightMacmillan Publishers Limited 1985
The information of publication is updating

書目名稱Austen: Emma影響因子(影響力)




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書目名稱Austen: Emma被引頻次




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Die Liberalisierung des Strommarktes,bered the chapters from 1 onwards: the first volume contained eighteen chapters, the second also eighteen, and the final volume contained nineteen. Some modern editions retain this numbering, but others number the chapters straight through from 1 to 55. For ease of reference, both systems of numberi
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https://doi.org/10.1007/978-3-658-27129-9 between them that does not have a direct or indirect bearing on her experience and development. This gives the novel a remarkable quality of unity and concentration: unlike the Victorian novel of a generation or two later, with its proliferating sub-plots, it is held together by presenting the worl
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https://doi.org/10.1007/978-3-8350-9538-0received a reasonable amount of attention from the periodicals of the day. By far the most important of the reviews was that by Sir Walter Scott in the ., issued in March 1816. Scott had recently published his own earliest novels, and was to become the most important of Jane Austen’s contemporaries
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https://doi.org/10.1007/978-1-349-07623-9Britain; eighteenth century; Emma; history of literature; Jane Austen; literature; nineteenth century
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Palgrave Master Guideshttp://image.papertrans.cn/e/image/308613.jpg
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https://doi.org/10.1007/978-3-531-94337-4nding ‘Who cares?’. The setting is restricted, rarely moving outside the confines of a community that is little more than a large village. The number of characters is limited, and the social range also.
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