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Titlebook: Emerging Dialogues on Machado de Assis; Lamonte Aidoo,Daniel F. Silva Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Macha

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樓主: 自治
41#
發(fā)表于 2025-3-28 18:31:34 | 只看該作者
Writing Womanhood in the New Brazil: Machado’s ,the mechanism by which he shows his reading public (made up largely of women) that a new, more socially conscious woman is part of what the new Brazil needs as it creates its post-emancipation and post-empire era.
42#
發(fā)表于 2025-3-28 21:13:18 | 只看該作者
43#
發(fā)表于 2025-3-29 00:38:19 | 只看該作者
Machado’s Tales of the Fantastic: Allegory and the Macabreth and decadence and take place in settings associated with the past. In this sense, Machado’s use of allegory in his tales of the fantastic brings us back to history, slavery, melancholy, and loss during the 1870s—precisely the images of ruin and devastation that are central to Benjamin’s concept of allegory.
44#
發(fā)表于 2025-3-29 06:08:50 | 只看該作者
1554-4028 spectives not only Brazilian literature and history, but also to social, cultural, and political phenomena that continue to have global repercussions.978-1-137-54174-1Series ISSN 1554-4028 Series E-ISSN 2634-520X
45#
發(fā)表于 2025-3-29 10:25:51 | 只看該作者
46#
發(fā)表于 2025-3-29 11:40:02 | 只看該作者
Introduction,re, reaching new audiences. His nuanced plots and characters—along with his innovations in terms of narration—have influenced innumerable writers and cultural talents of his generation and those that followed, including Gabriel García Márquez, Carlos Fuentes, Susan Sontag, Woody Allen, and José Saramago.
47#
發(fā)表于 2025-3-29 17:06:57 | 只看該作者
https://doi.org/10.1007/978-1-84628-014-6as a Brazilian writer. Schwarcz also traces his life from his . childhood to the cementation of his literary and cultural acclaim, from his beginnings as a typographer apprentice and teenage poet to founding the Brazilian Academy of Letters.
48#
發(fā)表于 2025-3-29 22:53:40 | 只看該作者
49#
發(fā)表于 2025-3-30 01:48:53 | 只看該作者
Musculoskeletal Research and Basic Sciencepe from the mundane mechanics of passions and self-interest. Thus, a difference between the Brazilian and the French writer emerges: where Pascal proposes a leap of faith, Machado invents a narrator who is stuck in those mechanics and whose characters can be the victims of a meaningless, purely material world.
50#
發(fā)表于 2025-3-30 07:16:00 | 只看該作者
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