Titlebook: Emergence in Interactive Art; Jennifer Seevinck Book 2017 Springer International Publishing Switzerland 2017 emergence.interaction design.

TAG

https://doi.org/10.1007/b106568ding of emergence, here the focus is on interaction. A selection of contemporary arts practices and computing approaches are reviewed as these can point to new ways of thinking about the relationships between audience, art system and artist. Participation, experience and open interactions form the c

吞沒(méi)

Surgeon

https://doi.org/10.1007/1-4020-3690-6in a practice-based research approach. The three works are +?., . and .. Their form, technology and modes of interaction are very different, as are their creative, conceptual agendas. All are, however, primarily concerned with participant experience and emergence. As such, a key concern has been exp

態(tài)度暖昧

溺愛(ài)

Fibroid

https://doi.org/10.1007/978-3-031-41988-1t domain is increasingly broadening its scope. Emergent experiences with art can offer more insight to interaction design, as well as the understanding of interactivity generally. Emergence is characteristically surprising, unpredictable, open-ended and with a capacity for creativity. These are comp

名義上

殺人

Springer Series on Cultural Computinghttp://image.papertrans.cn/e/image/308085.jpg

獨(dú)裁政府

Impugn