Titlebook: Emergence in Interactive Art; Jennifer Seevinck Book 2017 Springer International Publishing Switzerland 2017 emergence.interaction design.

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FIN

Emergence,). This framework sits across the debated concept of emergence. It draws on the variety of understandings of emergence in the physical and life sciences through to design research communities, to reveal differences and similarities between them. The classifications fit an overarching, broad understa

Manifest

Interaction in Art and Computing,ding of emergence, here the focus is on interaction. A selection of contemporary arts practices and computing approaches are reviewed as these can point to new ways of thinking about the relationships between audience, art system and artist. Participation, experience and open interactions form the c

頌揚本人

Delirium

URN

How the Work, Works,pant experiences of emergence: that is, . emergence. Perceptual emergence was defined in Chap.?. and classified in the TEIA, but when it comes to people interacting with an artwork, . And . The studies discussed here demonstrate how evaluation and qualitative research methods, including the TEIA and

URN

Emergence in Depth,e theoretical discussions presented in Chap. ., facilitating insight into some of the debates and concerns surrounding emergence. As well as theoretical, however, the focus of this discussion is also illustrative and pragmatic, its aim being to find a useful understanding of emergence in the context

不斷的變動

Insight for Emergent Interactions,t domain is increasingly broadening its scope. Emergent experiences with art can offer more insight to interaction design, as well as the understanding of interactivity generally. Emergence is characteristically surprising, unpredictable, open-ended and with a capacity for creativity. These are comp

Conscientious

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