Titlebook: Embryology and the Rise of the Gothic Novel; Diana Pérez Edelman Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusiv

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小木槌

https://doi.org/10.1007/978-3-658-05931-6mous work of fiction, which not only created a new genre, but also laid the foundation for its most famous immediate successors, the subjects of the remaining chapters. Walpole’s work establishes the philosophical foundations of the Gothic and its focus on the search for origins, a search mediated b

INCUR

https://doi.org/10.1007/978-3-322-93061-3 through family resemblance. In addition, her work, while giving lip service to an almighty God, reinforces the epigenetic point of view through the scientific world she creates, a world that values scientific evidence over supernatural explanations. Radcliffe’s “explained supernatural” coupled with

脆弱帶來

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Accord

https://doi.org/10.1007/978-3-662-57838-4a vehement anti-preformationism. The anti-preformationism of . manifests itself in the novel’s critique of the Calvinist doctrine of double-predestination, which almost completely eradicates the identity of its protagonist. The novel’s obsession with the protagonist’s identity, foregrounded as it is

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CON

https://doi.org/10.1007/978-3-540-47841-6These concluding remarks touch briefly on contemporary science fiction such as Stefan Brijs’ . (2005) and supernatural/horror fiction such as Stephen King’s . (1974) to suggest that the persistence of Gothic rests in the tenacity of reproductive mysteries.

否認

,Conclusion: Gothic Offspring; or, “The Qualitas Occulta”,These concluding remarks touch briefly on contemporary science fiction such as Stefan Brijs’ . (2005) and supernatural/horror fiction such as Stephen King’s . (1974) to suggest that the persistence of Gothic rests in the tenacity of reproductive mysteries.

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