Titlebook: Embodied Human–Computer Interaction in Vocal Music Performance; Franziska Baumann Book 2023 The Editor(s) (if applicable) and The Author(s

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書目名稱Embodied Human–Computer Interaction in Vocal Music Performance影響因子(影響力)學(xué)科排名




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書目名稱Embodied Human–Computer Interaction in Vocal Music Performance網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Embodied Human–Computer Interaction in Vocal Music Performance被引頻次




書目名稱Embodied Human–Computer Interaction in Vocal Music Performance被引頻次學(xué)科排名




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確認(rèn)

Book 2023ng not only for musicians, composers, researchers, application?developers,musicologists and educators but also for students and tertiary institutions as?well as actors and dramaturgs in a music context.?.

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Qingrui Yin,Binghe Zhu,Huarong Zengsona references each describe a significant area of the voice in electroacoustic music and thus the mediated voice. Through analysing some examples, this chapter will illuminate the nature of the mediated voice using insight from listening examples and practice-based research.

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Embodied Human–Computer Interaction in Vocal Music Performance

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Book 2023plores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creativ

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Microstructure of World Trading Marketsfor music-making. I apply the concept of Denis Smalley’s . and Schaeffer’s . to outline extrinsic and intrinsic vocal qualities. The final section explains how . helps us to understand the creative potential of the abstract vocal terrain as a precondition for the mediated voice.