Titlebook: Electronic Literature in Latin America; From Text to Hyperte Claire Taylor Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 E

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CHIDE

,Animating the Baroque and Resisting the Brand: Belén Gache’s , (2011) and , (2011) (Spain-Argentinan to an analysis of ., and elucidates how this poetry collection works via the recycling of platitudes and commonplaces that characterise corporate branding, trademark symbols, slogans, and rhetorical phrases, and encourages us to reflect upon our imbrication not only in the work, but also in the system of global corporatism.

翻動(dòng)

人充滿活力

PANEL

貝雷帽

Vsd168

,Reanimating the Whodunnit: Jaime Alejandro Rodríguez’s , (2006) (Colombia),els, engages in narrative metalepsis, and questions some of the standard features (such as stability of character or cause-effect relationship) that are so central to the whodunnit genre he mobilises.

SEMI

,Twitter Poetry and Rethinking the Aphorism: Eduardo Navas’s , (2011 to date) (US-El Salvador), formats and tools—including the blog as platform, word clouds as visualisation tools, and search engines for retrieving information—to take an oppositional stance, and interrogate the textual formats themselves.

ANTIC

,Critiquing Web Structure and Online Social Capital: Doménico Chiappe’s , (2013–2015),, to discuss the commodification of the female body and the functioning of online social capital in the internet age. The chapter reveals how Chiappe forces us to understand our own complicity in the perpetuation of the neoliberal discourses that underpin the circulation of online social capital.

率直