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Titlebook: Eighteenth-Century Women‘s Writing and the ‘Scandalous Memoir‘; Caroline Breashears Book 2016 The Editor(s) (if applicable) and The Author

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發(fā)表于 2025-3-21 17:28:07 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Eighteenth-Century Women‘s Writing and the ‘Scandalous Memoir‘
編輯Caroline Breashears
視頻videohttp://file.papertrans.cn/304/303241/303241.mp4
概述Examines previously under-examined texts.Refines our history of this subgenre’s evolution.Identifies generic innovations that simultaneously reflect women’s connections and respond to the shifting soc
圖書封面Titlebook: Eighteenth-Century Women‘s Writing and the ‘Scandalous Memoir‘;  Caroline Breashears Book 2016 The Editor(s) (if applicable) and The Author
描述This book contributes to the literary history of eighteenth-century women’s life writings, particularly those labeled “scandalous memoirs.” It examines how the evolution of this subgenre was shaped partially by several innovative memoirs that have received only modest critical attention. Breashears argues that Madame de La Touche’s?.Apologie. and her friend Lady Vane’s?.Memoirs. contributed to the crystallization of this sub-genre at mid-century, and that Lady Vane’s collaboration with Tobias Smollett in?.The Adventures of Peregrine Pickle. resulted in a brilliant experiment in the relationship between gender and genre. It demonstrates that the .Memoirs. of Catherine Jemmat incorporated influential new strategies for self-justification in response to changing kinship priorities, and that Margaret Coghlan’s .Memoirs. introduced revolutionary themes that created a hybrid: the political scandalous memoir. This book will therefore appeal to scholarsinterested in life writing, women’s history, genre theory, and eighteenth-century British literature..
出版日期Book 2016
關(guān)鍵詞Life Writing; Vane; Autobiography; Biography; Novel; British and Irish Literature
版次1
doihttps://doi.org/10.1007/978-3-319-48655-0
isbn_softcover978-3-319-83987-5
isbn_ebook978-3-319-48655-0
copyrightThe Editor(s) (if applicable) and The Author(s) 2016
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沙發(fā)
發(fā)表于 2025-3-22 00:17:15 | 只看該作者
https://doi.org/10.1007/978-3-658-18177-2sly noted the innovations of Teresia Constantia Phillips’s . (1748–1749) and Laetitia Pilkington’s . (1748–1754). I highlight the contributions of two friends whose life writings preceded, intersected with, and departed from these memoirs. One was Madame de La Touche, whose short . (1736) circulated
板凳
發(fā)表于 2025-3-22 02:05:14 | 只看該作者
https://doi.org/10.1007/978-3-663-16360-2xperiment that led to innovations in both the novel and the “scandalous memoir.” By situating her memoirs within a picaresque novel, Lady Vane surrounds her tale with evidence that her trials reflect universal struggles. By echoing Lady Vane’s narrative in his novel’s plot, Smollett affirms the diff
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978-3-319-83987-5The Editor(s) (if applicable) and The Author(s) 2016
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