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Titlebook: Edward Albee; Gerry McCarthy Textbook 1987Latest edition Gerry McCarthy 1987 bibliography.theatre.Virginia Woolf

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樓主
發(fā)表于 2025-3-21 18:53:06 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱Edward Albee
編輯Gerry McCarthy
視頻videohttp://file.papertrans.cn/303/302702/302702.mp4
圖書(shū)封面Titlebook: Edward Albee;  Gerry McCarthy Textbook 1987Latest edition Gerry McCarthy 1987 bibliography.theatre.Virginia Woolf
描述Who‘s Afraid of Virginia Woolf?, performed on Broadway in 1962, was Edward Albee‘s first full-length play. It was a smash hit and established Albee as a leading dramatist of the USA. This new study explores Albee‘s remarkable dedication to the theatre, and his determination to develop a deeply personal view of contemporary experience through the public medium of drama. Gerald McCarthy describes Albee‘s experiments in dramatising his personal sensations of loss, and shows his ability to make his audience suffer from experience. Albee‘s natural strengths as a man of the theatre are identified, in particular his brilliant and versatile use of language, and his sensitivity to theatrical style. The development of Albee‘s work and thought is traced through all the major plays for both stage and radio, with detailed discussions of Who‘s Afraid of Virginia Woolf?, A Delicate Balance, All Over, Seascape and The Lady from Dubuque.
出版日期Textbook 1987Latest edition
關(guān)鍵詞bibliography; theatre; Virginia Woolf
版次1
doihttps://doi.org/10.1007/978-1-349-18660-0
copyrightGerry McCarthy 1987
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:18:24 | 只看該作者
板凳
發(fā)表于 2025-3-22 01:27:27 | 只看該作者
https://doi.org/10.1007/978-1-349-18660-0bibliography; theatre; Virginia Woolf
地板
發(fā)表于 2025-3-22 06:44:40 | 只看該作者
5#
發(fā)表于 2025-3-22 12:22:21 | 只看該作者
Customer Engagement in Theory and Practice of its role in society, he has sometimes been too ready to be deflected into a discussion of the ‘meaning’ of his work. The episode of . and its reception in 1964 is illuminating. Calling a press conference is no answer to the problem of obscurity in a dramatist’s latest play. If on that occasion A
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發(fā)表于 2025-3-22 14:40:02 | 只看該作者
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發(fā)表于 2025-3-22 17:22:10 | 只看該作者
Ziele des Customer Experience Managementsociates Richard Barr and Clinton Wilder showed unusual confidence in ensuring this, even though, equally unusually, they managed to mount the production for about half the cost of the standard straight play. It ran at the Billy Rose Theatre for two years, receiving two awards as the best play of th
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發(fā)表于 2025-3-23 00:47:12 | 只看該作者
https://doi.org/10.1057/978-1-349-94905-2 adaptation of Carson McCullers’s . seemed to confirm the dramatist as a specialist in the grotesque. His plays were varied in style but showed the same tendency to push the subject to the limits. ‘Sensational’ was the word most frequently used in the press to describe Albee in those years, and also
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發(fā)表于 2025-3-23 03:47:19 | 只看該作者
https://doi.org/10.1007/978-3-658-18961-7oth developed into full-length pieces, and it was ‘Death’ which was the first to be performed, in the version we now know as ., in March 1971 on Broadway. ‘Life’ was to come later: as ., performed in 1975. Despite the fact that the plays exist as separate entities and came to performance years apart
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發(fā)表于 2025-3-23 06:48:41 | 只看該作者
Relevanz des Themas und Struktur der Arbeit, animals’, he declared, and later described the play as a ‘true to life story’. His audience could hardly have been prepared for the play they attended in January 1975. Many of the Albee ingredients are there. There is the married couple face to face with the problems of what is reality in their liv
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