Titlebook: Educational Theatre for Women in Post-World War II Italy; A Stage of Their Own Daniela Cavallaro Book 2017 The Editor(s) (if applicable) an

Precise

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Curmudgeon

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ADOPT

,: The Plays,deological works and melodramas to mysteries and comedies, ending finally with the magazine’s most representative genre: biblical stories and the lives of the saints. Among the many plays published in ., this chapter highlights in particular those written by the two most prolific and successful Sale

Conspiracy

脾氣暴躁的人

,: The New Magazine for All-Women Theatre,eatre magazine, àncora’s . (1946–59). Created as a reaction to the sort of melodramatic or religious “nuns’ plays” (of which . sometimes gave examples), with the goal of staging theatre for modern young women yet always remaining faithful to a Catholic educational framework, . provides a glimpse int

脾氣暴躁的人

Postmenopause

戲法

The Legacy of All-Women Educational Theatre,performed in it. It points out several characteristics of Catholic all-women theatre of the post-war years that would remain in Italian feminist theatre of the 1970s. Finally, it highlights the experience of communal enjoyment, learning and freedom that young women growing up in the post-war years a

jeopardize

Educational Theatre for Women: From Renaissance to Fascism,its lasting influence on twentieth-century educational theatre. Finally, it considers the diffusion of educational theatre publications and performances after the unification of Italy (1861) until the end of World War II (1945).