Titlebook: Edmund Spenser and Animal Life; Rachel Stenner,Abigail Shinn Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive li

FACT

Scorned Little Creatures?: Insects and Genre in , (1591) work of Jill Mann to suggest the continuing vitality of medieval models of signification in the foxes and badgers of .. Secondly, it looks in detail at the neglected . sequence (also from .) to suggest further connections with medieval genres in the shape of the bestiary. However, as the essay sugg

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Spenser’s Parenthetical Butterflies posit a lepidopteran practice of reading parenthetically. The chapter begins by offering some historical context for Spenser’s and contemporaries’ representations of butterflies, in materials including Renaissance natural philosophy and imaginative literature of the sixteenth century, before turnin

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Commonwealth

A Fruitful-Headed Beast?: Rhyme in d .’ of the Idle Lake, a number of the poem’s monstrous beasts are compared directly to the Hydra, or are otherwise drawn into its imagistic ecology. This chapter shows how Spenser connects the threat of snaky generativity not just to the Hydra’s regenerative power, but also to the scourge of unruly

初學(xué)者

Adenoma

Spenser’s Wingsent swiftness, height, and lightness, but they can also be surprisingly heavy and awkward. The interpretive framework offered by Guillemette Bolens’ ., which discusses the role of ‘sensorimotor resonance’ (mental simulation of movements and their meanings), offers a way of appreciating readers’ ment

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