Titlebook: Editing Yeats‘s Poems; Richard J. Finneran Book 1983 Palgrave Macmillan, a division of Macmillan Publishers Limited 1983 editing.poem.Will

mountebank

書(shū)目名稱(chēng)Editing Yeats‘s Poems影響因子(影響力)




書(shū)目名稱(chēng)Editing Yeats‘s Poems影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Editing Yeats‘s Poems網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Editing Yeats‘s Poems網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Editing Yeats‘s Poems被引頻次




書(shū)目名稱(chēng)Editing Yeats‘s Poems被引頻次學(xué)科排名




書(shū)目名稱(chēng)Editing Yeats‘s Poems年度引用




書(shū)目名稱(chēng)Editing Yeats‘s Poems年度引用學(xué)科排名




書(shū)目名稱(chēng)Editing Yeats‘s Poems讀者反饋




書(shū)目名稱(chēng)Editing Yeats‘s Poems讀者反饋學(xué)科排名

死亡

獨(dú)特性

and , complete set of corrected page proofs for the Edition de Luxe .. I conjecture that Yeats met with his publishers on 19 or 20 October 1932. Among other things, he would have been seeking assurances that there would be no further delays in publishing the Edition de Luxe and that it would indeed appea

Seminar

,Collaborative Revision: Thomas Mark and George Yeats, 1939–49,oint on it — corrupting the texts which he had worked so hard to perfect. The defects in . (1949) which we have so far noted can essentially be traced to the original fatal decision to prefer the proofs of the Edition de Luxe over the .. But we now enter a realm where even the best of intentions wer

Projection

Comprise

Comprise

牽連

全面

Jiansu Mao,Chunhui Li,Yuansheng Pei,Linyu Xuala Press in an edition of five hundred copies on 10 July 1939; this gathering did not contain the poems from .. In January of 1940, Macmillan, London, published 2000 copies of .; this included the lyrics from both . and ., as well as the poems from .. This volume was also published on 14 May 1940 by Macmillan, New York.

Prologue

Elena Yu. Dorokhina,Sergey G. Kharchenkon the lack of a comprehensive survey and catalogue of Yeats’s manuscripts, it is almost certain that I have neglected some relevant documents outside the major collections. Moreover, not all of Yeats’s manuscripts are in public collections, and some private collectors are not anxious to have their holdings known, examined, or reproduced.