Titlebook: Economies of Scale; Financialization and Ann Keniston Book 2023 The Editor(s) (if applicable) and The Author(s), under exclusive license to

寓言

書目名稱Economies of Scale影響因子(影響力)




書目名稱Economies of Scale影響因子(影響力)學科排名




書目名稱Economies of Scale網(wǎng)絡(luò)公開度




書目名稱Economies of Scale網(wǎng)絡(luò)公開度學科排名




書目名稱Economies of Scale被引頻次




書目名稱Economies of Scale被引頻次學科排名




書目名稱Economies of Scale年度引用




書目名稱Economies of Scale年度引用學科排名




書目名稱Economies of Scale讀者反饋




書目名稱Economies of Scale讀者反饋學科排名

bibliophile

,“[A] fictive person / around whom the air is blurred with money”: Precarious Labor and the Work of artistic creation in ways that transform the precarity, or even the deanimation, of its creator into something necessary, partly by binding automation to autonomy. What is ultimately brought to life in these volumes is language, though it can’t help gesturing at its inanimate origin.

arbovirus

,“Miss Thing”: Prosopopeia, Aliveness, and the Female Consumer,isons and objectifies women by pretending to set them free, but both also resist confinement using several strategies, including puns that subvert dominant power structures in Mullen’s volume and occasional acknowledgments in Ruefle’s of the plight of the workers who provide her poem’s speaker with

發(fā)怨言

interference

Book 2023hasize the historical, racialized, and ethical contexts of contemporary economics. As the book explores financialization’s representation in recent poetry, it redresses arguments that poetry is irrelevant to contemporary culture..

committed

committed

Thomaz Wood Jr.,Ana Paula Paes de Paulaisons and objectifies women by pretending to set them free, but both also resist confinement using several strategies, including puns that subvert dominant power structures in Mullen’s volume and occasional acknowledgments in Ruefle’s of the plight of the workers who provide her poem’s speaker with

CHASE

Barings: The Crashing of a Venerable Bank,l repayment. Rather than bring the dead back to life, or even restore them to wholeness, both volumes depict scenes of displacement, translation, and transposition that emphasize the poem’s (figurative) aliveness while paradoxically embracing indebtedness.

袋鼠

FACT

Hubert ?sterle,Claudia Brenner,Thomas Hessmble about the future. Both volumes, I argue, engage in negative bets that attempt to profit from the book’s?future obsolescence. Paradoxically, by evoking their authors’ handiwork, both summon up their future readers.