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Titlebook: Ecological Perception Research, Visual Communication, and Aesthetics; Klaus Landwehr Book 1990 Springer-Verlag Berlin Heidelberg 1990 Kogn

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樓主: Aggrief
41#
發(fā)表于 2025-3-28 17:17:38 | 只看該作者
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發(fā)表于 2025-3-28 20:41:59 | 只看該作者
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發(fā)表于 2025-3-29 02:44:41 | 只看該作者
Decomposing optical stimulus information by pictures may be considered a fair description of what actually . available. At either stage, however, the conventional architectural drawings may not be the best means for communicating the basic design idea, or the utility, of a building to its users.
44#
發(fā)表于 2025-3-29 03:20:07 | 只看該作者
https://doi.org/10.1007/978-3-662-36699-8lementary social interaction: gestics, mimics, body posture, and only later, spoken language. Harry Pross (1972), a German researcher in communication, proposes to designate these means to interaction as the “primary media of communication”.
45#
發(fā)表于 2025-3-29 10:26:04 | 只看該作者
O. Proske,H. Blumenthal,F. Ensslinties, either by deliberate design or by tacit assumption; these are usually the concern of Psychology and to a lesser extent of Anthropology. Such an examination is also likely to reveal lacunae in these data and therefore show what further work would be profitable.
46#
發(fā)表于 2025-3-29 11:38:40 | 只看該作者
47#
發(fā)表于 2025-3-29 19:03:14 | 只看該作者
On two distinct and quintessential kinds of pictorial representationties, either by deliberate design or by tacit assumption; these are usually the concern of Psychology and to a lesser extent of Anthropology. Such an examination is also likely to reveal lacunae in these data and therefore show what further work would be profitable.
48#
發(fā)表于 2025-3-29 20:21:21 | 只看該作者
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發(fā)表于 2025-3-30 02:50:45 | 只看該作者
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發(fā)表于 2025-3-30 05:01:41 | 只看該作者
The “aesthetic experience” as perceiving the general affordance of explorabilityms of “beauty”. Aesthetic appreciation in this sense can also be of our everyday environment — natural landscape or historical townscape, etc. — and it may arise during an ongoing encounter of a specific surroundings.
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