Titlebook: Ecofeminist Approaches to Early Modernity; Jennifer Munroe,Rebecca Laroche Book 2011 Jennifer Munroe and Rebecca Laroche 2011 dialogue.Ear

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魅力

First “Mother of Science”: Milton’s Eve, Knowledge, and Natureo yield new ways to read Eve’s place in Milton’s Eden. Near the end of his temptation of Eve in Book 9, Satan addresses the “Mother of Science,” but to whom is Satan speaking? At least since 1968, the scholarly tradition has been to read this moment as an apostrophe to the Tree of Knowledge—since it

生氣地

Ecofeminist Eve: Artists Reading Milton’s Heroinessues that we today would call “environmental.”. Thanks to their work, we have come to see how . meditates upon the fragile connection between human beings and the ., or “house,” of nature. This relatively new interest in the . of Paradise has coincided (certainly in McColley’s work, but also elsewh

Compass

On Elizabeth Isham’s “Oil of Swallows”: Animal Slaughter and Early Modern Women’s Medical Recipesal autobiography covering the first 30 years of life has recently been discovered in the Princeton University Library. This chapter grows out of the previous, shared project of annotating the medical content of this manuscript, Isham’s . (c. 1639), for an online edition. When analyzing the medical r

教唆

平項山

Preserving Nature in Hannah Woolley’s Vickers’s essay excoriated Merchant’s groundbreaking ecofeminist text from the early 1980s, . and its critique of Francis Bacon and the history of science.. Opposing the narrative of the great man, Merchant’s retort reminds us to consider the context of Bacon’s work: “[t]he colonization of the Amer

平項山

originality

The Secrets of Grafting in Wroth’s s of disparate things” in early modern England. In its more positive valence, grafting “impl[ied] the indissoluble marriage of what had been separate or alien.”. Yet early modern gardening manuals also insisted that grafting worked best if there was a measure of similarity between the plants selecte

COST

Allure

Afterworde of nature is to speak powerfully.”. Bowerbank’s shifting our attention to . speech was a key strategy in advancing ecofeminism, but it begs another set of questions: what does it mean to “speak for” something? Is that the same as speaking “in the name” of nature? And why “speaking” at all?