Titlebook: East German Cinema; DEFA and Film Histor Sebastian Heiduschke Book 2013 Sebastian Heiduschke 2013 Berlin.cinema.Europe.fascism.film.film hi

寬敞

發(fā)出眩目光芒

易達(dá)到

使迷醉

The ,, West Berlin as Hostile Other, and East Germany as Homeland: The Rebel Film , (,, Gerhard Kleipolitics and film in East Germany already existed. Technically, the Soviet Union still owned part of DEFA, and during Stalin’s rule, the SED ensured that DEFA films complied with the ideology predetermined by the “big brother” in the east.. Many of the productions in the late 1940s and early 1950s t

Ischemic-Stroke

OATH

Film Censorship, the East German ,, and the “Rabbit Films”: , (,, Kurt Maetzig, 1965)in an interview.. And yet, unlike in previous cases of films banned in East Germany, it was not primarily the plot of his film ., 1965) that caused the ban, but a change in the social mood.. This change resulted in an eradication . of almost the entire DEFA feature film production of 1965 and turned

SPASM

Renegade Films, Defa Musicals, and the Genre Cinema: , (,, Joachim Hasler, 1968)into East German cinemas on June 21, 1968, and attracted over two million spectators, almost the Hollywood musical’s film attendance, which drew close to 2.25 million viewers.’ Convenient screening locations, a storyline teenagers and young adults could identify with, contemporary tunes from the Eas

粗糙

More Genre Cinema, the “Red Western,” and Stardom in East Germany: , (,, Gottfried Kolditz, 1973)admission that the film was unexpectedly enjoyable and entertaining. The fashion in which DEFA took up the Western, a film genre that “had grown [ … ] to a sophisticated formula in which American history and ideology—and the Western genre itself—could be reflected upon and examined in detail,” also

SPER

Decongestant