Titlebook: East Asian Cinemas; Regional Flows and G Vivian P. Y. Lee (Assistant Professor) Book 2011 Palgrave Macmillan, a division of Macmillan Publi

最后一個

Contracture

Book 2011This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea.?A timely and important contribution to existing scholarship in the field.

nascent

https://doi.org/10.1057/9780230307186China; cinema; film; Framing; Hollywood; humour; identity; Japan; Korea; national identity; postmodernism; tech

可觸知

978-1-349-32559-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2011

Hippocampus

Overview: This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea.?A timely and important contribution to existing scholarship in the field.978-1-349-32559-7978-0-230-30718-6

indubitable

死亡

Transnational Trajectories in Contemporary East Asian Cinemashe example of the South Korean director Bong Joon-ho’s monster movie, The Host, as “one of the most talked-about ‘crossover’ films of 2006” that seemed destined for, “if not Crouching Tiger, Hidden Dragon- sized global success, then at least cult acclaim” (2008: 1).. We now know, according to an int

allergen

Hollywood’s Global Strategy and the Future of Chinese Cinema global economy. In the words of Anthony Giddens, we are living in a new “world system.” In this system, capitalist countries led by the US enjoy hegemonic power over the political, economic, and cultural resources of the world. Since its accession to the World Trade Organization (WTO), China also h

支形吊燈

Bicycle Thieves and Pickpockets in the “Desert of the Real”: Transnational Chinese Cinema, Postmoderlists” such as Sergei Eisenstein and Dziga Vertov all put forward theories of film’s relation to the “real,” that now must be reconsidered in light of cinematic postmodernism. In his seminal essay, “Postmodernism and Consumer Society,” Fredric Jameson mentions “false realisms” that “are really art a

頌揚(yáng)本人