Titlebook: Early-Twentieth-Century Frontier Dramas on Broadway; Situating the Wester Richard Wattenberg Book 2011 Palgrave Macmillan, a division of Na

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松雞

Frontier Western Discourse at the Turn of the Nineteenth to the Twentieth Century has taken numerous shapes. Certainly, variations in the who, what, where, when, and why of the discourse have affected its content; nevertheless, the assorted statements and expressions that comprise frontier western discourse have had a certain coherence. From the early seventeenth century, recurr

Epidural-Space

The Turn-of-the-Century American Theater Contextormed when it entered the theater. As a mode of representation, or (re) presentation, the theater production process inevitably impresses itself on the material with which it deals. In other words, the theater does not function as a transparent window through which either the actual frontier western

Alcove

Discipline and Spontaneity: Clyde Fitch’s , and Augustus Thomas’s ,ent even in early frontier drama. To be sure, the shape of the action in early-nineteenth-century plays like . (1829) and . (1830) depended heavily on the civilization-savagery contrast. Later frontier plays, like . (1879), had even begun to explore the possibility of bridging this opposition by bri

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From Melodrama to Realism: William Vaughn Moody’s , and Rachel Crothers’s eater season by the outstanding successes of Royle’s . and Belasco’s . continued into the 1906–1907 season. Burns Mantle and Garrison Sherwood list more than one hundred productions for the 1906–1907 season, and of these, four of the seven longest-running productions dealt with the frontier West. Th

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