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Titlebook: Early Modern Women‘s Complaint; Gender, Form, and Po Sarah C. E. Ross,Rosalind Smith Book 2020 The Editor(s) (if applicable) and The Author

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發(fā)表于 2025-3-21 17:56:02 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Early Modern Women‘s Complaint
副標(biāo)題Gender, Form, and Po
編輯Sarah C. E. Ross,Rosalind Smith
視頻videohttp://file.papertrans.cn/301/300783/300783.mp4
概述Aims to identify the ways in which early modern women shaped the mode of complaint as authors, readers, and producers.Diverse body of writers are studied across the volume: women writers whose texts a
叢書名稱Early Modern Literature in History
圖書封面Titlebook: Early Modern Women‘s Complaint; Gender, Form, and Po Sarah C. E. Ross,Rosalind Smith Book 2020 The Editor(s) (if applicable) and The Author
描述This collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surprising variety of forms from the early-Tudor period to the late-seventeenth century. They were some of the mode’s first writers, most influential patrons, and most innovative contributors. Together, these new essays illuminate early modern women’s participation in one of the most powerful rhetorical modes in the English Renaissance, one which gave voice to political, religious and erotic protest and loss across a diverse range of texts..This volume interrogates new texts (closet drama, song, manuscript-based religious and political lyrics), new authors (Dorothy Shirley, Scots satirical writers, Hester Pulter, Mary Rowlandson), and new versions of complaint (biblical, satirical, legal, and vernacular). Its essays pay specific attention to politics, form, and transmission from complaint’s first circulation up to recent digital representations of its texts. Bringing together an international group of experts in early modern women’s writing and in comp
出版日期Book 2020
關(guān)鍵詞Early modern women‘s writing; English women writers; Early modern women‘s complaint; Dorothy Sidney; Hes
版次1
doihttps://doi.org/10.1007/978-3-030-42946-1
isbn_softcover978-3-030-42948-5
isbn_ebook978-3-030-42946-1Series ISSN 2634-5919 Series E-ISSN 2634-5927
issn_series 2634-5919
copyrightThe Editor(s) (if applicable) and The Author(s) 2020
The information of publication is updating

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Katherine Parr and Royal Religious Complaint: Complaining For and About Henry VIIIher religio-political publications. In the . (1544), Parr crosses gender boundaries and writes as an embattled wartime Henry, complaining about his suffering and asking God to destroy his enemies. In the . (1547), Parr complains about her sins, but she also attacks the Henrician church and seeks to
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“Ane Wyfis Quarrel”: Complaining Women in Scottish Reformation Satire the queen and her supporters. Much of this propaganda survives as broadside poetry, written by Robert Sempill and printed by Robert Lekpreuik. Adapting literary forms to make political arguments, the poems are exhortatory and caustic, yet the softer tones of lamentation and complaint also reflect o
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Complaint’s Echoesare, Spenser, Drayton, and others offer us women in a landscape bewailing their woes, their mournful cries resounding from the rocks and hills and producing the “double voice” that is so inscrutable to the male auditor. Critical discussion of Echo tends to focus on her deceptiveness, distortions, an
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