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Titlebook: Early Modern Tragedy and the Cinema of Violence; Stevie Simkin Book 2006 Stevie Simkin 2006 cinema.culture.drama.film.gender.oral discours

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發(fā)表于 2025-3-21 19:57:18 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Early Modern Tragedy and the Cinema of Violence
編輯Stevie Simkin
視頻videohttp://file.papertrans.cn/301/300779/300779.mp4
圖書封面Titlebook: Early Modern Tragedy and the Cinema of Violence;  Stevie Simkin Book 2006 Stevie Simkin 2006 cinema.culture.drama.film.gender.oral discours
描述This study considers parallel issues in revenge tragedies of the early seventeenth-century and violent cinema of the last thirty years. It offers a series of provocative explorations of death, revenge and justice, and gender and violence. What happens when we connect The White Devil with Basic Instinct ? The Changeling or Titus Andronicus with Straw Dogs ? Doctor Faustus with Se7en ? Taxi Driver with The Spanish Tragedy ? Appealing to those with an interest in either drama or film, written in an engaging style, the book also reconsiders the high /popular culture divide, and reflects on the enduring significance of the revenge motif in Western culture over the past four hundred years, particularly in the post 9/11 context.
出版日期Book 2006
關(guān)鍵詞cinema; culture; drama; film; gender; oral discourse; tragedy
版次1
doihttps://doi.org/10.1057/9780230597112
isbn_softcover978-1-349-52239-2
isbn_ebook978-0-230-59711-2
copyrightStevie Simkin 2006
The information of publication is updating

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Mohamed I. Fayad,Bradford R. Johnsonat particular historical moments, such as the arrangements made for relatives of the 168 victims of the bombing of the Federal Building in Oklahoma City in April 1995 to witness, via a closed-circuit television relay, the execution by fatal injection of the convicted bomber Timothy McVeigh. The grow
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3D Immersive and Interactive Learning:.Whether in the European or the American film, whether seen as sociological artefact or artistic creation, women, by the logistics of film production and the laws of Western society, generally emerge as the projections of male values. Whether as the product of one . or of the system … women are the
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https://doi.org/10.1007/978-3-030-98229-4ith his roguish reputation, and there is no way of knowing for sure what his motives were when, in an interview for . magazine at around this time, he declared, ‘There are women, and then there’s pussy.’. It is tempting but probably unfair to take such a quotable phrase as the last word on the repre
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