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Titlebook: Early Modern Ecostudies; From the Florentine Thomas Hallock (Assistant Professor of English),Iv Book 2008 Palgrave Macmillan, a division o

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發(fā)表于 2025-3-21 18:20:57 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Early Modern Ecostudies
副標(biāo)題From the Florentine
編輯Thomas Hallock (Assistant Professor of English),Iv
視頻videohttp://file.papertrans.cn/301/300768/300768.mp4
叢書名稱Early Modern Cultural Studies 1500–1700
圖書封面Titlebook: Early Modern Ecostudies; From the Florentine  Thomas Hallock (Assistant Professor of English),Iv Book 2008 Palgrave Macmillan, a division o
描述The essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.
出版日期Book 2008
關(guān)鍵詞Cultural Studies; Ecocriticism; empire; England; Europe; history; Narrative; Ovid; poetry; William Shakespear
版次1
doihttps://doi.org/10.1057/9780230617940
isbn_softcover978-1-349-37235-5
isbn_ebook978-0-230-61794-0Series ISSN 2634-5897 Series E-ISSN 2634-5900
issn_series 2634-5897
copyrightPalgrave Macmillan, a division of Nature America Inc. 2008
The information of publication is updating

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2634-5897 Overview: The essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.978-1-349-37235-5978-0-230-61794-0Series ISSN 2634-5897 Series E-ISSN 2634-5900
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Book 2008The essays in this volume interrogate the unique and often problematic relationship between early modern cultural studies and ecocriticism, providing theoretical insights and models for a future practice that successfully wed the two disciplines.
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https://doi.org/10.1057/9780230617940Cultural Studies; Ecocriticism; empire; England; Europe; history; Narrative; Ovid; poetry; William Shakespear
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https://doi.org/10.1007/978-3-531-90131-2h World Shakespeare Congress in Brisbane. The film had been in theaters for a while; mine was a late afternoon screening; and most of the few people in the theater were elderly. Behind me sat three people, two of whom had been brought to the film by the third, a woman who had seen the film two times
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