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Titlebook: Dance, Performance and Visual Art; Intersections with M Linda E. Dankworth,Henia Rottenberg,Deborah Willia Book 2024 The Editor(s) (if appl

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樓主: 叛亂分子
21#
發(fā)表于 2025-3-25 04:24:39 | 只看該作者
22#
發(fā)表于 2025-3-25 11:14:58 | 只看該作者
The Book ‘symbolizes the power of learning, the impact of Christianity on the life of the country, and the spirit of artistic imagination’ (Meehan, .. London: Thames and Hudson, 2012: 13). It is especially renowned for its illustrations, including zoomorphic images and a variety of Celtic knotwork
23#
發(fā)表于 2025-3-25 11:55:55 | 只看該作者
24#
發(fā)表于 2025-3-25 16:32:32 | 只看該作者
tely”. Upon reflection, however, I wondered how that could be, my dancing assisting my sculpting, and why he thought he could recognise such in the forms I created. It “definitely” deserved more pondering and exploration than an instance of feeling charmed. Here, I seek to offset the little thought
25#
發(fā)表于 2025-3-25 21:29:33 | 只看該作者
tic digital societies within a Massive Multiplayer Online (MMO) gaming community. Establishing it as the new field of Ludochoreology, the authors will explore the process of engaging with the process of movement and dances created for, and found within, online digital games. From a practice-as-resea
26#
發(fā)表于 2025-3-26 03:40:12 | 只看該作者
environmental somatic movement research. We question how somatic dance practice may be transmitted through the creation of 3D models and how these might be explored as standalone digital artworks within larger immersive virtual environments. How might navigable 3D documentation mediate the somatic
27#
發(fā)表于 2025-3-26 06:10:35 | 只看該作者
28#
發(fā)表于 2025-3-26 11:50:40 | 只看該作者
http://image.papertrans.cn/e/image/284406.jpg
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發(fā)表于 2025-3-26 16:28:57 | 只看該作者
30#
發(fā)表于 2025-3-26 17:40:24 | 只看該作者
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