Titlebook: Dynamics of the Singing Voice; Meribeth A. Bunch Book 19953rd edition Springer-Verlag Wien 1995

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書目名稱Dynamics of the Singing Voice影響因子(影響力)




書目名稱Dynamics of the Singing Voice影響因子(影響力)學(xué)科排名




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書目名稱Dynamics of the Singing Voice網(wǎng)絡(luò)公開度學(xué)科排名




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deciduous

Posture and breathing in singing, adjusted to the needs of the body. In addition to supplying the body with oxygen and removing carbon dioxide, breathing generates all vocal sound. Normally one does not have to think about breathing for conversational speech, yet during performance one becomes quite conscious of the need for adequa

THE

Phonation,ability to vocalise is taken for granted and the vulnerability of the vocal mechanism is ignored until it is spoiled by misuse. It is hoped that the discussion of the structure and function of the larynx which follows will increase the understanding of teachers, therapists and students and will enco

興奮過度

Resonation and vocal quality,f free and dynamic response to the demands of the singer, optimum resonance is derived from the singer’s image of sound together with what he senses when he makes that sound, the physical response of the muscles of the pharynx and balance with the rest of the body. Vocal pedagogy and the relevant li

jarring

聲音刺耳

Vocal problems: their prevention and care,amage to the larynx and absence of powers of vocalisation are major deprivations, even tragedies. Informed singers are acutely aware of the need to prevent vocal damage, however many potential singers are uninformed and unfortunately early warnings are so insidious that they are often overlooked. Ho

聲音刺耳

Co-ordination, spontaneity and artistry,cts of making sound does not make a true artist. A good technique represents only one ingredient of artistry. Other ingredients are not so tangible and they include the singer’s personality and response to the mood and receptivity of each audience. All of these factors, and more, indicate that singi

Lyme-disease

商店街

Posture and breathing in singing, adjusted to the needs of the body. In addition to supplying the body with oxygen and removing carbon dioxide, breathing generates all vocal sound. Normally one does not have to think about breathing for conversational speech, yet during performance one becomes quite conscious of the need for adequate and efficient control of breath.

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