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Titlebook: Dutch Studies; An annual review of P. Brachin,J. Goossens,J. Rooij (Secretary) Book 1974 Martinus Nijhoff, The Hague, the Netherlands 1974

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樓主: 巡洋
41#
發(fā)表于 2025-3-28 15:52:21 | 只看該作者
Andrea Gallidabino,Cesare Pautasso profoundly regrettable that some of the scholars in question were unable to attend and contribute to the discussion: the absence of Professor Schieb means that no sustained defense of the editorial principles of her edition could be made, whilst that of Professor Dittrich and the lack of a contribu
42#
發(fā)表于 2025-3-28 19:36:41 | 只看該作者
43#
發(fā)表于 2025-3-29 00:39:14 | 只看該作者
Germanic Studies in Germany and their Relation to the Study of German and Dutchan universities with courses enabling students to acquire some proficiency in reading, writing and speaking Dutch as well as an initiation into the problems of Dutch philology. Except in Cologne and Münster, these posts are attached to Chairs of German philology. In Nordrhein-Westfalen students can
44#
發(fā)表于 2025-3-29 05:32:08 | 只看該作者
45#
發(fā)表于 2025-3-29 08:37:53 | 只看該作者
Heinric van Veldeken. Symposion Gent 23–24 October 1970. Verslag en lezingen uitgegeven door Gilbert profoundly regrettable that some of the scholars in question were unable to attend and contribute to the discussion: the absence of Professor Schieb means that no sustained defense of the editorial principles of her edition could be made, whilst that of Professor Dittrich and the lack of a contribu
46#
發(fā)表于 2025-3-29 12:37:44 | 只看該作者
Source Material for the Study of Dutch Literature. A Bibliographical Surveyerwey primarily for use in his teaching of Dutch in Calvin College in Grand Rapids, Michigan, does not, because of its very wide but at the same time often debatable selection of titles, provide what we need, nor can it really be called up to date..
47#
發(fā)表于 2025-3-29 16:09:09 | 只看該作者
48#
發(fā)表于 2025-3-29 23:44:49 | 只看該作者
49#
發(fā)表于 2025-3-30 02:05:28 | 只看該作者
50#
發(fā)表于 2025-3-30 05:04:27 | 只看該作者
Studies on Hooft, 1947–1972t, dramatist and historian, and one of the classical writers of the Dutch Golden Age. In his own time his contemporaries honoured him — with a somewhat trite word-play — as the “Hoofd der Hollandse Po?ten,” and the appreciation has remained fairly constant since then, with a decline in the late eigh
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