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Titlebook: Dutch Silver; Embossed Ecclesiasti J. W. Frederiks Book 1961 Martinus Nijhoff, The Hague, Netherlands 1961 Dutch Master.Dutch Silver.Plate.

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發(fā)表于 2025-3-21 19:01:31 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Dutch Silver
副標題Embossed Ecclesiasti
編輯J. W. Frederiks
視頻videohttp://file.papertrans.cn/284/283461/283461.mp4
圖書封面Titlebook: Dutch Silver; Embossed Ecclesiasti J. W. Frederiks Book 1961 Martinus Nijhoff, The Hague, Netherlands 1961 Dutch Master.Dutch Silver.Plate.
描述The fourth volume on Dutch silver deals with those embossed ecclesiastical and secular objects which are not described in Volume I. Since that volume is confined to plaquettes, tazze and dishes, together with the complete oeuvre of the three most famous artists Adam and Paul van Vianen, and Lutma, a large variety of objects remains to be dealt with. Amongst these are many very important and beautiful vessels. The principal pieces described in this volume are of ecclesiastical origin such as monstrances, ciboriums, chalices, pyxes, chrismatories, mass-cruets, incense-boats and burners, altar-thrones, lecterns, missal covers, canon-board frames, altar -bells, altar-vases, altar -candlesticks, sanctuary lamps and sconces. Further, secular silver such as plaquettes, tazze and dishes, that have come to our knowledge since the publication of the first volume, and also plaquette medals, boxes, book-covers, beakers, tankards, cups, bowls, basins, bottles, plate used for the toilet, for the table, candlesticks and plate used for the service of tea, coffee and chocolate. A general survey of a number of objects is given in the Introductions to the first and second volumes (Volume I, p. VI; Vo
出版日期Book 1961
關鍵詞Dutch Master; Dutch Silver; Plate; Renaissance; Renaissance Style; Secular Plate; baroque
版次1
doihttps://doi.org/10.1007/978-94-010-3662-7
isbn_ebook978-94-010-3662-7
copyrightMartinus Nijhoff, The Hague, Netherlands 1961
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The Period of TransitionThis anonymous master, who worked in Amsterdam in the first half of the 17th century, probably embossed his superb tazza bowl in 1632 after the same print that Adam van Vianen used for his plaquette of about 1615 (Volume I, no. 52, J). No other works of this excellent silversmith are known.
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The Construction of Human Civilization the lobate style of the middle of the 17th century. We have illustrated in this volume a wall-scone of 1712, rather coarsely embossed in the Louis XIV style. It shows obviously that his embossing was inferior to his engraving.
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