Titlebook: Doubling, Distance and Identification in the Cinema; Paul Coates Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited

ARRAY

書目名稱Doubling, Distance and Identification in the Cinema影響因子(影響力)




書目名稱Doubling, Distance and Identification in the Cinema影響因子(影響力)學科排名




書目名稱Doubling, Distance and Identification in the Cinema網絡公開度




書目名稱Doubling, Distance and Identification in the Cinema網絡公開度學科排名




書目名稱Doubling, Distance and Identification in the Cinema被引頻次




書目名稱Doubling, Distance and Identification in the Cinema被引頻次學科排名




書目名稱Doubling, Distance and Identification in the Cinema年度引用




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書目名稱Doubling, Distance and Identification in the Cinema讀者反饋




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要素

Essential

Simulate

Doubling, Distance and Instruments of Perception,dis-)colouration promote a dual consciousness: the knowledge that one both ‘is’ and ‘is not’ capable of such vision, much as Francis in Egoyan’s . (1994) both ‘does’ and ‘does not’ touch. The double is implicit as the locus of a double vision. The modernist clouding of vision matches the hand’s sens

instill

Dictation

Dictation

Urban Identity and the Atlantic Worlde of this introduction, ‘neither here nor there’. For instance, although the camera’s approach to a character seems often to involve a deepening of identification, doubling, by collapsing interiority/ exteriority distinctions, reveals the reversibility and ambiguity of both scale and identification, as what is ‘here’ is also situated ‘there’.

Lipohypertrophy

樹膠

https://doi.org/10.1057/9781137396693Cinema; doubling; scale; haptic; 3D cinema; identification; argue; cinema; discourse; knowledge; Plato

Adenocarcinoma