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Titlebook: Domestic Violence in Hollywood Film; Gaslighting Diane L. Shoos Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 psychologica

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發(fā)表于 2025-3-21 18:44:57 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Domestic Violence in Hollywood Film
副標(biāo)題Gaslighting
編輯Diane L. Shoos
視頻videohttp://file.papertrans.cn/283/282558/282558.mp4
概述First book on domestic violence in Hollywood film.Exposes the insufficiency of post-feminist and post-aware perspectives on domestic abuse.Engages productive ways of thinking about and responding to t
圖書(shū)封面Titlebook: Domestic Violence in Hollywood Film; Gaslighting Diane L. Shoos Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 psychologica
描述. .This is the first book to critically examine Hollywood films that focus on male partner violence against women. These films include .Gaslight.,. Sleeping with the Enemy.,. What’s Love Got to Do with It.,. Dolores Claiborne.,. Enough., and .Safe Haven.. Shaped by the contexts of postfeminism, domestic abuse post-awareness, and familiar genre conventions, these films engage in ideological “gaslighting” that reaffirms our preconceived ideas about men as abusers, women as victims, and the racial and class politics of domestic violence. While the films purport to condemn abuse and empower abused women, this study proposes that they tacitly reinforce the very attitudes that we believe we no longer tolerate. Shoos argues that films like these limit not only popular understanding but also social and institutional interventions.?.
出版日期Book 2017
關(guān)鍵詞psychological abuse; Intimate partner violence; Violence against women; Coercive control; Victim/survivo
版次1
doihttps://doi.org/10.1007/978-3-319-65064-7
isbn_softcover978-3-319-87941-3
isbn_ebook978-3-319-65064-7
copyrightThe Editor(s) (if applicable) and The Author(s) 2017
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 21:21:07 | 只看該作者
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板凳
發(fā)表于 2025-3-22 02:20:39 | 只看該作者
https://doi.org/10.1007/978-3-319-65064-7psychological abuse; Intimate partner violence; Violence against women; Coercive control; Victim/survivo
地板
發(fā)表于 2025-3-22 05:57:52 | 只看該作者
978-3-319-87941-3The Editor(s) (if applicable) and The Author(s) 2017
5#
發(fā)表于 2025-3-22 11:58:11 | 只看該作者
Roland Albrecht,Jürgen BirnbaumThis chapter introduces the three critical contexts for this discussion of domestic violence films (domestic abuse post-awareness, postfeminism, and film genres), summarizes primary concepts in domestic violence literature, discusses the legacy of . as a major contemporary media representation of abuse, and previews subsequent chapters.
6#
發(fā)表于 2025-3-22 14:45:38 | 只看該作者
Ultraschallgestützte Regionalan?sthesieThis chapter examines. as the first Hollywood domestic violence film and the only one to focus on psychological abuse or “gaslighting.” The discussion focuses on the conventions of this later Gothic romance, the abuser’s strategies of verbal and psychological abuse, and the film’s implications for contemporary domestic violence films.
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發(fā)表于 2025-3-22 17:17:17 | 只看該作者
8#
發(fā)表于 2025-3-23 00:23:11 | 只看該作者
Epsilon-Pseudo-Orbits and ApplicationsThis chapter explores the intersectional complexity of the representation of abuse in the musical biopic .. While the film critiques male coercive control and myths of popular romance it also re-objectifies the black female body and reinforces the stereotype of the violent black man.
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發(fā)表于 2025-3-23 04:55:13 | 只看該作者
Burkhard Schwenker,Klaus SpremannThis chapter examines how the conventions of the Gothic romance and the maternal melodrama in . foreground the systemic nature of women’s oppression and the abuser’s use of motherhood as a weapon, while ultimately offering female-female relationships and female violence as predictable solutions to abuse.
10#
發(fā)表于 2025-3-23 08:10:49 | 只看該作者
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