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Titlebook: Documentary Films in India; Critical Aesthetics Aparna Sharma Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 201

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書目名稱Documentary Films in India
副標題Critical Aesthetics
編輯Aparna Sharma
視頻videohttp://file.papertrans.cn/283/282331/282331.mp4
圖書封面Titlebook: Documentary Films in India; Critical Aesthetics  Aparna Sharma Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 201
描述This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
出版日期Book 2015
關(guān)鍵詞Documentaries in India; Phenomenology; Haptics; Nation; Documentary Poetics; Northeast India; Classicism; a
版次1
doihttps://doi.org/10.1057/9781137395443
isbn_softcover978-1-349-48415-7
isbn_ebook978-1-137-39544-3
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2015
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Transnational Migration and Human Securitys, constructed works themselves, address them in multiple ways. Propagandist documentaries are known to celebrate the nation state and its efforts, say with regard to war or nation-building. Documentaries of a more critical persuasion investigate the efficacies of nations. They question national ins
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https://doi.org/10.1057/9780230390744or a number of years and so they had devised their own methods for navigating through its environment. Having found a place for themselves in the school, they bore a more or less predetermined disposition in relation to it.
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Conclusion: Insights from Porous Spacess, mild wind, dew drops, small water streams and the pregnant silence of a dense, humid rainforest — these and many other forest sounds flowed imperceptibly into the chilly atmosphere, mixing with the everyday sounds of Manhattan. These forest sounds were from a sound installation entitled .,. devel
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The Bamboo Fluteach meanings to them and judge their values. Sounds are tactile and haptic because sounds arise from touch. To emit a sound some object, the source of sound, must be touched, a vibration provoked. And sounds, in turn, make objects vibrate. It is said that the sense of sound is one of the first senses we develop in our mother’s womb.
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ni. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.978-1-349-48415-7978-1-137-39544-3
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