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Titlebook: Documentary Film Festivals Vol. 2; Changes, Challenges, Aida Vallejo,Ezra Winton Book 2020 The Editor(s) (if applicable) and The Author(s),

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書目名稱Documentary Film Festivals Vol. 2
副標(biāo)題Changes, Challenges,
編輯Aida Vallejo,Ezra Winton
視頻videohttp://file.papertrans.cn/283/282330/282330.mp4
概述The first book to approach documentary film festivals from a global, historical and multi-disciplinary perspective.Includes interviews with professionals who have intimate knowledge of the festival ci
叢書名稱Framing Film Festivals
圖書封面Titlebook: Documentary Film Festivals Vol. 2; Changes, Challenges, Aida Vallejo,Ezra Winton Book 2020 The Editor(s) (if applicable) and The Author(s),
描述.This book provides the first comprehensive overview of the global landscape of documentary film festivals, looking at its contemporary and future challenges. Contributors from across the globe reflect on how documentary has positioned itself within both internationally renowned and more alternative festivals, including IDFA (Netherlands), Cannes IFF (France), Sheffield Doc/Fest (UK), Dockanema (Mozambique), Ismailia (Egypt) and Zinebi (Basque Country, Spain), among others. With a special focus on industrial and curatorial developments,? this second in a two-volume set looks at recent changes occurred in the festival circuit, such as the proliferation of markets and co-production forums, the inclusion of interactive and VR forms within their programs and the irruption of VOD platforms, and analyse how these affect the future of documentary aesthetics and its production/distribution contexts..This volume is organized in two sections: the first reflects on how the documentary festival circuit has become a key industry node for contemporary documentary and identifies new curatorial trends at documentary and major film festivals. The second gives voice to professionals working for fest
出版日期Book 2020
關(guān)鍵詞Documentary Film; Film Festivals; Global Cinema; Documentary Festival Circuit; Film Festival Organizatio
版次1
doihttps://doi.org/10.1007/978-3-030-17324-1
isbn_softcover978-3-030-17326-5
isbn_ebook978-3-030-17324-1Series ISSN 2946-3734 Series E-ISSN 2946-3742
issn_series 2946-3734
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Introduction to Part II, Vol. 2: Professional Perspectiveswork” to readers. It presents concepts that are tacitly explored in the interviews that follow and make up this section of Volume 2. In particular the introduction familiarizes readers with interviewing as knowledge production and the experience of art and truth.
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Notes on Disenchantment: A Conversation with Amir Al-Emary, Former Director of the Ismailia Internatal based in Egypt. The discussion includes (but is not limited to) topics of cultural politics, the development of national cinemas, democracy, freedom of expression, the Arab Spring and social movements.
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https://doi.org/10.1057/9780230591905al based in Egypt. The discussion includes (but is not limited to) topics of cultural politics, the development of national cinemas, democracy, freedom of expression, the Arab Spring and social movements.
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https://doi.org/10.1057/9781137506863ing policies at documentary festivals, with a special focus on production and distribution. Firstly, we articulate a definition of the documentary festival. Drawing concepts?developed by Bill Nichols, we elaborate on the discussion started in the introduction of our first volume (where we look at ep
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