Titlebook: Dissonant Heritages and Memories in Contemporary Europe; Tuuli L?hdesm?ki,Luisa Passerini,Iris van Huis Book‘‘‘‘‘‘‘‘ 2019 The Editor(s) (i

Exacting

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書目名稱Dissonant Heritages and Memories in Contemporary Europe被引頻次




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書目名稱Dissonant Heritages and Memories in Contemporary Europe讀者反饋




書目名稱Dissonant Heritages and Memories in Contemporary Europe讀者反饋學(xué)科排名

FEMUR

Conflicts and Reconciliation in the Postmillennial Heritage-Policy Discourses of the Council of Euroe challenges the idea of heritage faces in today’s Europe and the opportunities that these may present to respond to these challenges. The analysis shows how the EU and the Council of Europe seek to reconcile heritage-related conflicts by approaching heritage as a space for civil participation, inte

FRET

Arteriography

不易燃

Bodies Making Spaces: Understanding the Airport as a Site of Dissonance Amsterdam, the chapter approaches both the airport itself as well as its nearby detention center as one complex cultural phenomenon, from which Schiphol emerges as a site of heritage dissonance. Taking a phenomenological approach, the chapter explores what it means to be an embodied subject at the

高調(diào)

Politics of Mobility and Stability in Authorizing European Heritage: Estonia’s Great Guild Hallis formed in a politics of mobility and stability between the local, national, and European scales resulting from the interplay of europeanization (of the national and local) and domestication (of the European). The chapter asks how this politics of mobility and stability is conducted to manage the

高調(diào)

A Geography of Coloniality: Re-narrating European Integrationlues and European integration. She argues that, in the context of the EHL, integration is intricately linked to the notion of spreading common values, which in turn is entangled with Eurocentrism. The chapter concludes with a discussion on the geography of coloniality: the underlying spatial structu

harangue

Contesting Cultural Heritage: Decolonizing the Tropenmuseum as an Intervention in the Dutch/Europeanve and memory complex. The discussion focuses on the Tropenmuseum and the way postcolonial (post)immigrants carried out interventions there, resulting in new ways of visually and textually representing the colonial past. Though the end result is not a final ideal decolonized situation, it did evince

brother

Nausea