Titlebook: Displacing Caravaggio; Art, Media, and Huma Francesco Zucconi Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Baroque.art.hu

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書目名稱Displacing Caravaggio影響因子(影響力)




書目名稱Displacing Caravaggio影響因子(影響力)學(xué)科排名




書目名稱Displacing Caravaggio網(wǎng)絡(luò)公開度




書目名稱Displacing Caravaggio網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Displacing Caravaggio被引頻次




書目名稱Displacing Caravaggio被引頻次學(xué)科排名




書目名稱Displacing Caravaggio年度引用




書目名稱Displacing Caravaggio年度引用學(xué)科排名




書目名稱Displacing Caravaggio讀者反饋




書目名稱Displacing Caravaggio讀者反饋學(xué)科排名

犬儒主義者

MIR

Book 2018d. (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting .The Seven Works of Mercy. (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio’s work, Fr

Crumple

負(fù)擔(dān)

高興去去

高興去去

Caravaggio on Lampedusa,mmunications. The chapter examines the potentialities and limits of efforts by scholars, exhibitions, and communications to engage the history of art with current events in the news and on the world geographic and political scene.

誘導(dǎo)

Ulrich Welsch,Akira Chiba,Yoshiharu Honmaical purposes in relation to the visual field of humanitarian action; on the other, based on Caravaggio’s aesthetic innovations, it offers the opportunity to produce new forms of montage that are anachronistic and thought-provoking with the intention of guiding the observer through the most haunting and compelling images of our time.

自由職業(yè)者

Sachin Patel,Cecilia J. Hillarders the opportunity to draw a comparison with postcolonial studies and, in this way, to reflect on the relationship between systems of representation of the colonial past and those of the humanitarian present.

GET

Maurice R. Elphick,Michaela Egertová. The chapter concludes with three photographs explicitly inspired by works by Caravaggio that best express the temporality and spatiality that typify “everyday life.” Humanitarian photography, too, is shown to promote the immanence of intersubjective relations: the small gestures of people living under emergency conditions.