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Titlebook: Disnarration and the Unmentioned in Fact and Fiction; Marina Lambrou Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 disnar

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樓主: Taylor
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發(fā)表于 2025-3-25 07:18:09 | 只看該作者
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發(fā)表于 2025-3-25 10:16:13 | 只看該作者
Disnarration and the Unmentioned in Fact and Fiction978-1-137-50778-5
23#
發(fā)表于 2025-3-25 13:10:39 | 只看該作者
follow alternative, forked paths with fascinating unexpected consequences. This engaging work offers original insights to anyone interested in storytelling and will appeal in particular to scholars of language and literature, stylistics, narratology, media, film and journalism..978-1-137-50778-5
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發(fā)表于 2025-3-25 18:23:12 | 只看該作者
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發(fā)表于 2025-3-25 20:19:53 | 只看該作者
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發(fā)表于 2025-3-26 03:32:43 | 只看該作者
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發(fā)表于 2025-3-26 04:47:28 | 只看該作者
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發(fā)表于 2025-3-26 11:11:48 | 只看該作者
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發(fā)表于 2025-3-26 15:10:11 | 只看該作者
Dietmar Gross,Werner Hauger,Wolfgang A. Wallsights of . and .. The three fictional texts presented for analysis are two literary works of fiction: John Fowles’s novel .; Tobias Wolff’s (1996) short story .; and the 2016 film . directed by Damien Chazelle. The texts are analysed for their innovative narratological, literary and stylistic strat
30#
發(fā)表于 2025-3-26 17:48:15 | 只看該作者
Walter Schnell,Dietmar Gross,Werner Haugernge of factual and fictional texts and understand why disnarrated modes of storytelling are so pervasive in all genres of storytelling. Analysis of experiential, personal stories, news and fictional narratives suggests there is a discourse of disnarration, while counterfactual divergence triggered b
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