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Titlebook: Dislocation, Writing, and Identity in Australian and Persian Literature; Hasti Abbasi Book 2018 The Editor(s) (if applicable) and The Auth

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樓主: PED
11#
發(fā)表于 2025-3-23 11:04:41 | 只看該作者
nd historical aspects of feminist and women’s writing.Invest.This study aims to foreground key literary works in Persian and Australian culture that deal with the representation of exile and dislocation. Through cultural and literary analysis, .Dislocation, Writing, and Identity in Australian and Pe
12#
發(fā)表于 2025-3-23 16:48:08 | 只看該作者
13#
發(fā)表于 2025-3-23 22:06:31 | 只看該作者
U. A. M. Carnegie MA, FFTCom, LIPSiter is always in a process of redefinition and re-articulation in response to place, whether it be exile in Malouf’s Ovid, or a socio-cultural/inner sense of dislocation in the case of Parsipur’s women.
14#
發(fā)表于 2025-3-24 01:13:13 | 只看該作者
15#
發(fā)表于 2025-3-24 02:33:24 | 只看該作者
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16#
發(fā)表于 2025-3-24 07:44:27 | 只看該作者
U. A. M. Carnegie MA, FFTCom, LIPS sense of belonging. However, a greater creative capacity can also be cultivated, and immigration can even become a source of creative expression, once the individual in question experiences transnational existence and the feeling of belonging. Writing is a cognitive process that is replete with the
17#
發(fā)表于 2025-3-24 13:21:50 | 只看該作者
U. A. M. Carnegie MA, FFTCom, LIPSad to questions of belonging and a quest for identity. During the process of looking for the self in writing in a new culture and language, the exiled writer needs to alternate his/her feelings and identities while switching languages. However, writing in exile is one of the most practical ways in w
18#
發(fā)表于 2025-3-24 15:17:52 | 只看該作者
19#
發(fā)表于 2025-3-24 19:51:09 | 只看該作者
20#
發(fā)表于 2025-3-24 23:38:29 | 只看該作者
U. A. M. Carnegie MA, FFTCom, LIPShrough the act of writing and the attempt to transcend social conventions. Despite the uniqueness of each individual’s experience of dislocation, a writer is always in a process of redefinition and re-articulation in response to place, whether it be exile in Malouf’s Ovid, or a socio-cultural/inner
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