Titlebook: Discovering Short Films; The History and Styl Cynthia Felando Book 2015 Palgrave Macmillan, a division of Nature America Inc. 2015 Short fi

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Shorts and Film History: The Rise, Fall, and Rise of the Short Film,liest years of the developing studio system, the short was displaced by the feature and has remained a marginal player ever since. The shifts in the live-action fiction short’s fortunes, in particular, are compelling and enable a fuller understanding of American film history during the studio and po

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Short Film Specificity: Narrative Compression, Unity, Character, and Endings, his capacity as reviewer of the French Festival of Short Films at Tours, and in his typically acerbic and cheeky way, Godard both dismissed the short film and then recuperated it. He first insisted that critics were “wrong to believe in some special function of the short film” and, speaking for his

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Storytelling and Style: The Classical Short,lassical narrative mode has enabled the systematic study of feature-length films. It also has served as a useful point of comparison for films that do not fit the classical mode, such as the live-action fiction short. Briefly, the classical Hollywood film narrative turns on a causal chain motivated

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Short Film Specificity: Narrative Compression, Unity, Character, and Endings,His reasoning seems to have been that the short film’s brevity prevents it from dealing “in depth” with a subject because, in comparison to the feature-length film, “a short film does not have the time to ..” In other words, he seemed to consider the form’s chief limitation to be its inability to pr

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