Titlebook: Discourses of Slavery and Abolition; Britain and its Colo Brycchan Carey (Published in association with the Book 2004 Palgrave Macmillan,

冒失

dapper

Abduct

Questioning the ‘Necessary Order of Things’: Maria Edgeworth’s ‘The Grateful Negro’, Plantation Slavng and contestatory conversation about the slave trade.. ‘The Grateful Negro’ has evinced a variety of contradictory textual interpretations, even in discussions that make use of much of the same supporting material. George Boulukos, for example, has argued persuasively that Edgeworth was a ‘Iukewar

nepotism

Turner’s , (1840) : Towards a Dialectical History Paintinguired one of the most extensive and colourful critical histories of any of Turner’s paintings.. As was often his practice, Turner attached a verse-tag, which he wrote himself, to the painting’s entry in the exhibition catalogue. Along with the lengthy title, the verse-tag, to which I shall return be

廣口瓶

Slavery, Abolition, and the Nation in Priscilla Wakefield’s Tour Books for Childrenr reappraising their social and political situation’.. My subject is the ways that eighteenth-century geographies in general, and Priscilla Wakefield’s travel books for children in particular, represented slavery and the abolition movement so as to shape a future public opinion on these issues.

COMA

Book 2004liams and Mary Prince. The final section reads literary and cultural texts associated with the abolition movements of the Eighteenth and Nineteenth centuries, moving beyond traditional accounts of the documents of that movement to show the importance of religious writing, children‘s literature and the relationship between art and abolition.

Statins

Book 2004ery and categories of writing, oratory and visual culture in the ‘long‘ Eighteenth-century. The book begins by examining writing about slavery and race by both philosophers and by authors such as Aphra Behn. It considers self-representation in the works of Ignatius Sancho, Olaudah Equiano, James Wil

Liberate

Obscure

Moving Forward: Scholars as Stakeholdersal and non-fictional constructions of ‘race’,by looking at a number of these constructions in medical treatises and sentimental novels of the abolition era, in particular, those that feature Caribbean settings and the diseases that struck colonial bodies there.

拖網(wǎng)

https://doi.org/10.1007/978-1-349-18675-4y in this area, it seems important to reflect on current critical approaches to early black writing, particularly with regard to a text such as . (1831), published, as it was, at a specific historical juncture for a specific political purpose..