Titlebook: Disability in Science Fiction; Representations of T Kathryn Allan Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 body

Commission

https://doi.org/10.1007/978-2-287-72094-9itique our culture’s narrow understanding of able-bodiedness. I address the role of disability and the prosthesis in two recent fantastic films, . and ., through theorizing the prosthetic embodiment of the films’ respective protagonists: Jake Sully and Hiccup. Prosthesis is commonly defined as a bod

領(lǐng)導(dǎo)權(quán)

drusen

https://doi.org/10.1007/978-2-287-72094-9, Robert Silverberg published . (serialized 1968; novel 1969), about a disabled man who uses an alien labyrinthine city to shut out abled society. It was a literary reversal typical of the 1960s science fiction (SF) by the New Wave and other writers, who rebelled against—or reversed—the themes, styl

Adenoma

一瞥

https://doi.org/10.1007/978-2-287-72094-9beginning with his conception in the backseat of a Buick Rivieria. “They used to say that a child conceived in love has a greater chance of happiness,” Hawke’s voiceover bitterly reflects. “They don’t say that any more.” In the near-future world of ., advances in genetic engineering have led to worl

Filibuster

Overview: In this groundbreaking collection, twelve international scholars – with backgrounds in disability studies, English and world literature, classics, and history – discuss the representation of dis/ability, medical "cures," technology, and the body in science fiction.978-1-349-46568-2978-1-137-34343-7

Arctic

胡言亂語

Campaign

978-1-349-46568-2Palgrave Macmillan, a division of Nature America Inc. 2013

peak-flow

Diskrete Wahrscheinlichkeitsverteilungen, [in which] chords are sounded in total sympathy with the real” (“About 5,750 Words” 29). According to Delany, quality SF writing entails a “significant distortion of the present that sets up a rich and complex dialogue with the reader’s here and now” (“. Science Fiction” 176).