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Titlebook: Digital Pictures; Representation and C Arun N. Netravali,Barry G. Haskell Book 1988 The Editor(s) (if applicable) and The Author(s), under

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發(fā)表于 2025-3-21 18:29:23 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Digital Pictures
副標(biāo)題Representation and C
編輯Arun N. Netravali,Barry G. Haskell
視頻videohttp://file.papertrans.cn/280/279604/279604.mp4
叢書名稱Applications of Communications Theory
圖書封面Titlebook: Digital Pictures; Representation and C Arun N. Netravali,Barry G. Haskell Book 1988 The Editor(s) (if applicable) and The Author(s), under
描述For thousands of years mankind has been creating pictures which attempt to portray real or imagined scenes as perceived by human vision. Cave drawings, paintings and photographs are able to stimulate the visual system and conjure up thoughts of faraway places, imagined situations or pleasant sensations. The art of motion picture creation has advanced to the point where viewers often undergo intense emotional experiences. On-the- spot news coverage gives the impression of actually witnessing events as they unfold. Relatively recently, other forms of visual information have been invented which do not, in themselves, stimulate the eye. For example, vol- tage variations in an electrical signal, as in television, can represent in analogous fashion the brightness variations in a picture. In this form the visual information can be stored on magnetic tape or transmitted over long distances, and, at least for engineering purposes, it is often much more use- ful than other forms which do stimulate human vision. With the evolution of digital techniques for information processing, storage, and transmission, the need arises for digital representation of visual information, that is, the represen
出版日期Book 1988
關(guān)鍵詞analog; circuit; computer; information processing; signal; television; transmission
版次1
doihttps://doi.org/10.1007/978-1-4684-1294-9
isbn_softcover978-1-4684-1296-3
isbn_ebook978-1-4684-1294-9
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Science+Busines
The information of publication is updating

書目名稱Digital Pictures影響因子(影響力)




書目名稱Digital Pictures影響因子(影響力)學(xué)科排名




書目名稱Digital Pictures網(wǎng)絡(luò)公開度




書目名稱Digital Pictures網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Digital Pictures被引頻次




書目名稱Digital Pictures被引頻次學(xué)科排名




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發(fā)表于 2025-3-21 21:14:04 | 只看該作者
Numerical Representation of Visual Information,f X-rays or sound waves it is possible to “see” inside objects and into places that have been invisible to living beings since the dawn of creation. Ultra-fast photography can stop a speeding bullet or freeze a flying humming bird’s wing.
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Basic Compression Techniques, how they are related or derived from the picture statistics and psychophysics of vision. We start with a classification of coding schemes and then describe them in some detail outlining procedures for optimizing their parameters.
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Postscript,, forcing us to design encoders based on a relatively primitive understanding of the problem. The ultimate limits of bit-rate compression will only be approached, we believe, as our knowledge of stimuli, perception and utilization increases.
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Visual Psychophysics,in representing a live scene by a television system. The contrast ratio in a natural sunlit scene (the ratio of the highest to the lowest luminance) can frequently be 200:1 or greater, whereas for most television systems, a contrast ratio of even 50:1 is difficult to obtain. Also, color television s
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