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Titlebook: Digital Electronics for Musicians; Alexandros Drymonitis Book 20151st edition Alexandros Drymonitis 2015 Arduino.Electronics.Programming.M

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21#
發(fā)表于 2025-3-25 03:45:15 | 只看該作者
Embedded Computers and Going Wireless,ded computers. These are small and low-cost computers that can be embedded into projects, hence their name. There are quite some embedded computers around, and we’ll talk about which to choose for your needs.
22#
發(fā)表于 2025-3-25 08:41:03 | 只看該作者
Getting Started with Musical Applications, of rather simple interfaces on a breadboard. Since they’re not going to be finished projects, we’re not going to deal with soldering circuits on a perforated board, as the breadboard will serve just fine for our purposes. This chapter acts more like an introduction to using Pd and Arduino to create
23#
發(fā)表于 2025-3-25 13:02:55 | 只看該作者
24#
發(fā)表于 2025-3-25 19:34:33 | 只看該作者
25#
發(fā)表于 2025-3-25 20:35:59 | 只看該作者
26#
發(fā)表于 2025-3-26 03:03:04 | 只看該作者
A DIY Theremin,n Theremin in the 1920s. The theremin allows the performer to have no physical contact with the instrument; he or she can control both the pitch and amplitude of the instrument with two antennae that sense the distance of the performer’s hands from it. The instrument uses oscillators to produce soun
27#
發(fā)表于 2025-3-26 06:02:00 | 只看該作者
28#
發(fā)表于 2025-3-26 09:41:36 | 只看該作者
A Patch-Bay Matrix Synthesizer, audio signal, we’ll pass connection data through the patch cords. The data will be sent to the computer so that the corresponding connections can be done in the program. We’ll use external chips (we’ll call them .s from now on, which stands for . ) to extend both the analog and the digital pins of
29#
發(fā)表于 2025-3-26 15:32:05 | 只看該作者
30#
發(fā)表于 2025-3-26 18:36:05 | 只看該作者
What’s Responsible for the Retraction Boom?In this project, we’ll give ourselves as much freedom as possible so that we can use any of the three axes at any time (including all three together). We can even receive no input from the sensor, so that the performer can move freely in case he/she doesn’t want to affect the instrument’s sound at certain moments.
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