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Titlebook: Digital Culture Industry; A History of Digital James Allen-Robertson Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limit

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樓主: 贊美
11#
發(fā)表于 2025-3-23 11:22:54 | 只看該作者
Springer Remote Sensing/Photogrammetrya. They were disinterested, seeing little benefit in these low-quality compressed audio files. When Napster sought licensing, a similar situation occurred: told by the courts that they required a license to operate, they found the price set to be unattainably high and eventually liquidated whilst th
12#
發(fā)表于 2025-3-23 14:18:39 | 只看該作者
13#
發(fā)表于 2025-3-23 18:39:01 | 只看該作者
Overview: How did digital media happen ? Through a unique approach to digital documents, and detailed intricate histories of illicit internet piracy networks, The Digital Culture Industry goes beyond the Napster creation myth and illuminates the unseen individuals, code and events behind the turn to digital media.978-1-349-44150-1978-1-137-03347-5
14#
發(fā)表于 2025-3-24 01:38:11 | 只看該作者
Springer Remote Sensing/Photogrammetryng end of accusations and threats. During the rise of media’s digital distribution, the media industry was out of the loop and intended to stay there, a decision which at the time, made perfect sense.
15#
發(fā)表于 2025-3-24 06:02:21 | 只看該作者
16#
發(fā)表于 2025-3-24 07:20:06 | 只看該作者
17#
發(fā)表于 2025-3-24 12:14:10 | 只看該作者
18#
發(fā)表于 2025-3-24 15:52:47 | 只看該作者
?ukasz Banaszek,W?odzimierz R?czkowskihat our technological revolutions have made us and our modern condition (Williams, 2003). Writers such as Toffler (1981) and Poster (1995) posit grand societal changes as being driven by technological innovations, and point to the inherent capacities of a technology as the elements that define those transformations.
19#
發(fā)表于 2025-3-24 21:31:59 | 只看該作者
20#
發(fā)表于 2025-3-25 01:11:15 | 只看該作者
Jordi Cristóbal,Rudiger Gens,Anupma Prakash P2P network as a legitimate method of media distribution. An audience of users had been established and the technology had been honed. This focus on the exploitation of P2P networks would provide the basis for the shifting of technologies developed under the illicit banner of piracy and into wider operation within the cultural industries.
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