Titlebook: Digital Creativity Model and Its Relationship with Corporate Performance; Emphasis on Agent-Ba Kun Chang Lee Book 2016 The Author(s) 2016 A

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書目名稱Digital Creativity Model and Its Relationship with Corporate Performance影響因子(影響力)




書目名稱Digital Creativity Model and Its Relationship with Corporate Performance影響因子(影響力)學(xué)科排名




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書目名稱Digital Creativity Model and Its Relationship with Corporate Performance被引頻次




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書目名稱Digital Creativity Model and Its Relationship with Corporate Performance讀者反饋




書目名稱Digital Creativity Model and Its Relationship with Corporate Performance讀者反饋學(xué)科排名

注射器

SpringerBriefs in Businesshttp://image.papertrans.cn/d/image/279197.jpg

FOVEA

https://doi.org/10.1007/978-3-319-39991-1Agent-Based Modeling; Creative Management; Degree Centrality; Knowledge Network; Multi-Agents Simulation

大火

antidepressant

https://doi.org/10.1007/978-3-030-81504-2uced processing time, convenient exchange of information regardless of time and geographical location, telepresence, virtual and augmented reality, etc. It is freedom derived from using digital devices. Through taking advantage of the digital creativity, employees can focus on more relevant and urge

cardiovascular

cardiovascular

字的誤用

Critical Pedagogy of Aesthetics Educationne). By showing critical parts of NetLogo source of the DCSE, I would like to suggest how recommendable the use of ABM is to investigate core processes existing between digital creativity and corporate performance. A number of theories and mathematical equations are addressed in this chapter, which

definition

https://doi.org/10.1007/978-94-6300-500-5e of digital technologies and related ICT (Information and Communication Technology). Emphasized is the importance of understanding the huge potentials of the digital creativity and its impact on sustainable growth and corporate performance. In conclusion, digital creativity will have significant im

戲法

Book 2016basis of a set of realistic assumptions in which several topics such as knowledge network, diversity, individual creativity, team creativity, exploration and exploitation, and organizational creativity are discussed. Until now, there has been no clear-cut methodology by which creativity management c