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Titlebook: Digital Creativity; Something from Nothi Gregory Sporton Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Digital creativity.

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樓主: ONSET
11#
發(fā)表于 2025-3-23 10:46:07 | 只看該作者
Remembering the Uprising of 17 June 1953ing categorically better is the ideology that reinforces the notion of technological evolution as an inherently just process. It is seen as unstoppable, logical and filled with the promise of economic benefits through innovation wrought from disruption. This, I have argued, puts a false face on the
12#
發(fā)表于 2025-3-23 14:05:15 | 只看該作者
Remembering the German Democratic Republicity, given it asserts only an autonomy as defined by technical process itself (1964: 134). By comparing our current phase of rapid technological innovation with previous ones, we have seen that assertions about the relative benefits of technology, especially where there is a claim for universal impr
13#
發(fā)表于 2025-3-23 19:51:38 | 只看該作者
14#
發(fā)表于 2025-3-24 00:37:22 | 只看該作者
15#
發(fā)表于 2025-3-24 02:21:14 | 只看該作者
16#
發(fā)表于 2025-3-24 08:56:33 | 只看該作者
17#
發(fā)表于 2025-3-24 14:16:33 | 只看該作者
18#
發(fā)表于 2025-3-24 15:27:18 | 只看該作者
Can Machines Create?,ity, given it asserts only an autonomy as defined by technical process itself (1964: 134). By comparing our current phase of rapid technological innovation with previous ones, we have seen that assertions about the relative benefits of technology, especially where there is a claim for universal impr
19#
發(fā)表于 2025-3-24 20:52:15 | 只看該作者
The Paradox of Creative Practice, Given the generous funding we had at the time, we might at certain points give out a groan when a newly acquired piece of kit was rendered immediately obsolete by a later release, but only for as much time as it took for us to get a quotation for the latest stuff and compose a justification for som
20#
發(fā)表于 2025-3-25 03:14:44 | 只看該作者
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